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The Walking Dead Mid-Season 6 Premiere Episode 9: “No Way Out”

February 15, 2016

For those of you not caught up on the first half of the season, or on the mid-season premiere, I ask that you stop reading now and go get yourself current, because I’m going to spoil and I’m going to spoil hard.

Source: AMC

The mid-season premiere of The Walking Dead begins with Daryl, Abraham and Sasha road tripping it back to Alexandria when they are waylaid by a biker gang (who knew there were so many motorcycles to be had at the end of the world?) led by a charismatic fellow who in turn claims the group’s guns for a man named Negan.  Talk of Negan has been brewing ever since his arc took place in the comics, and rightfully so.  While The Governor was no prince, Negan makes him look charming in comparison, so much so that I had to take a break from reading the comics.  Let’s just say I’m...interested...in how things play out on television.  I will say that the casual humor and swagger with which the biker fellow talks to our hardened heroes is very ominous, literally telling them to eat shit in big bites.  The bravado doesn’t last long however, and while I did warn about spoilers, the way the group gets away is just too good for words.

Back in Alexandria, Rick, Michonne, Carl, Judith, Father Gabriel, Jessie, Sam and Ron are all holding hands and making nice while using an old trick in the survivor’s handbook to remain undetected by the walkers.  Seeing that there’s too many to get through at their pace, Rick decides the best thing to do is to get back to the quarry and get some vehicles.  Gabriel volunteers to take Judith back to his church and sit tight.  When Michonne questions his grit, he responds with one of my favorite lines this season: 

Source: AMC

“I’m supposed to.  I have to.  I will.”

Gabriel has been a bit of a slouch when it comes to keeping people alive if you’ll recall, but Rick believes in him and off they go.  Meanwhile Rosita, Tara, Eugene, and knocked out Carol and Morgan are holed up and thinking of a plan.  Alpha Wolf had previously taken Denise hostage after Carol and Morgan had a difference of opinion regarding the value of human life.  Carol comes to first and snaps to attention, taking Rosita’s gun to do a perimeter check.  Morgan wakes up soon after, hopefully feeling like an ass.  

We then see the progress of two odd couples, Glenn and Enid and Alpha Wolf and Denise.  Both have different objectives and both have halves that are unwilling and afraid to go on.  We see two sides of the survivor mentality in these scenes.  You keep going because you HAVE to, because living is the only imperative, or you keep going because you carry the memories of your loved ones gone and you shoulder the responsibility to those who are still alive.  The juxtaposition was very enjoyable.  

Checking back in with our viscera laden daisy chain, we get our first big “HOLY SHIT” moment.  Sam, who had previously begged his mother to let him come along instead of go with Gabriel, panics.  Carol’s words ring in his mind and he freezes.  Was this Carol’s intention?  When she said those awful things to him, was she just trying to push away a nuisance child, projecting her own losses onto him, or did she see an inescapable weakness in him and was just giving fair warning?  Whatever the reason, Sam becomes the walkers’ appetizer.  Grief stricken and frozen herself, Jessie immediately becomes the main course.  Rick, so unlucky in love, who had fought so desperately for a normal life and to protect the first woman he’d had feelings for since Lori, watches in agonized horror.  But once he realizes Jessie was holding Carl’s hand, and Carl himself was dangerously close to the feeding frenzy, the Ricktatorship kicks back in and he wastes no time in hacking his beloved’s arm off to save his son.  In the scuffle, Carl drops his gun.

Source: AMC

Always a big fan of pointing guns at the people he blames for his problems, Ron takes the opportunity to take revenge for his drunk father, his irksome brother, and his poor mother who bore all their burdens.  Alas, Michonne runs him through with her katana.  While she might have believed for a moment that they could have had a normal life in Alexandria, killing Ron without hesitation was also the death of that chance at a normal life.  The group comes first, the rest are just baggage.  Unfortunately Ron pops a shot off before becoming walker dessert, and a moment I’ve been waiting for, for a long time, finally happens.

Carl gets his eye blown out.  These things happen in such rapid succession that I was breathless by the time Carl turns to his father and collapses.

Scrapping the plan for the rock quarry, Michonne leads the charge back to the infirmary, going full samurai on walkers along the way.  In the meantime, Carol and Morgan have a moment where she points out the hypocrisy of Morgan’s zen ninja turtle philosophy.  He only lives that way to cope with his own demons, and while everyone alive has their own demons, their actions serve the group, whereas Morgan’s way of life is self-serving.  Carol remarks that she should have killed Morgan, to which he replies that she can’t, highlighting a weakness in her own merciless ways.  Between you and me, Carol could and would kill Morgan in a heartbeat.

Source: Entertainment Weekly/AMC

Alpha Wolf and Denise make a break for the guard tower, and they almost made it.  Denise is waylaid by a walker and Alpha Wolf goes back to save her, suffering a bite himself.  She promises to save his life if they can get back to the infirmary.  Making a pit stop to tourniquet his arm, Alpha Wolf muses that he almost made it out, and Denise points out that he went back for her and that maybe he did change.  Perhaps hearing Morgan’s story moved him to have a newfound respect for life?  We would have found out, but Carol popped two caps in Alpha Wolf’s chest as they made a break for the infirmary.  I think therein lies the difference between Carol and Morgan’s way of handling problems.

Denise makes it back to the infirmary, where Heath, Aaron, and Spencer are hiding out.  Not far behind are Rick and Michonne, with a cycloptic little sheriff in tow.  No time to mourn the loss of her new friend, she gets to work on Carl.  His son’s life hanging in the balance, his one shot at love in the zombie apocalypse dead, and everything overall being in a shitty state of affairs, Rick goes absolutely berserk.

One man alone against the zombie horde, Rick is possessed by blood fury.  He fights tirelessly but the walkers keep closing in.  But soon he is joined by Michonne, then Heath, Aaron and Spencer.  Not wanting to be left out, Rosita, Carol, Tara, Morgan and even Eugene join in this last stand.  Gabriel passes Judith on to someone else hiding in the church, inspired to do some righteous smiting himself.  Here we see the survivors of Alexandria united finally, behind Rick.  Their cozy suburban life thoroughly destroyed, they have only each other now.

Source: AMC

Glenn and Enid finally reach Maggie, only to find her guard tower surrounded and about to topple.  Glenn goes for the distraction while Enid climbs up with a rope.  Mind you, this is the first time Maggie has seen Glenn since the failed trip to the quarry and the invasion of the Wolves and walkers.  She wasn’t sure if he was alive or dead, and could only watch from afar as he is surrounded by walkers.  I was incredibly tense during this scene.  Were they not even going to be reunited?  Would she have to watch him die from afar, would their last moment together be his sacrifice for her rescue?  He can’t get lucky twice, after all…

I don’t mind telling you I stood up and cheered as the ravenous walker horde closing in on Glenn was mowed down by divine fully automatic gunfire from Abraham and Sasha, who had reached Alexandria in the very nick of time.  But the hugs and handshakes would have to wait, as the newly reunited friends dump fuel from the tanker into Alexandria’s lake and lit it ablaze.  A fairly symbolic action, as a montage of our heroes, men and women on fire, fight endlessly against a black background to finish the fight.

Source: AMC

The next morning, those that were left stand in silent relief, and perhaps disbelief.  At Carl’s bedside, Rick talks of a new world, of a bright future that he wants him to see.  And, not to disappoint, Carl’s hand stirs to grip his father’s.

Overall this is what makes the show great.  It’s a balance of tragedy and triumph, and the writers dole each out in different measurements.  It’s not a perfect show so the measurements aren’t always right, but when there’s that right amount that has us biting our nails one moment and fist pumping the next, it’s great television.  I can’t think of a more emotionally nerve wracking premiere and the ride was worth it.

But there are plenty of questions to be answered in the remainder of this season.  Who are the Wolves, and who are the men who follow Negan?  Are the Wolves expendable foot soldiers for Negan?  If so, does that mean he has more people than Rick?  Morgan and Carol’s way of doing things will come to a head, and when it does, who wins and who loses?  Who would Rick side with?  Will Alexandria have time to rebuild before Negan comes?  And who’ll be his first victim?  Comic readers think they might have an idea.  Either way, as I’ve said before, this is going to be the most brutal trial our already harrowed heroes have had to face.  Let the speculations begin!


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro


In review, article, television Tags the walking dead, amc, zombies, tv, television, horror
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X-Files Relaunch Episode 4 Recap and Review

February 9, 2016

The episode begins in the streets of Philadelphia, the homeless are being insensitively hosed down in the streets as means to make them vacate. The man who is in charge of this deed seems to gain some kind of sick pleasure from the act. He is quickly faced with his karma when a shadowy figure comes to his office, ripping off his arms before disappearing into a garbage truck. Gross.

Image: FOX

Keeping with the comedic nature of the last episode, Mulder makes his first appearance in the episode with a witty comment about Philadelphia, leaving us to forget about the violent acts that had occurred just minutes prior. As they are getting the facts on the case Scully receives a serious phone call, her mother has had a heart attack, so Mulder is going to have to solve this case solo!  Upon Scully’s arrival to her mother’s bedside, we find out some information about Scully’s family life. Her mother has been estranged from her brother, Charlie, but during her brief bout of consciousness she called out for him. A fact that doesn’t seem to sit well with Scully.

Meanwhile in Philadelphia Mulder has his hands full dealing with rich councilmen types when he finally gets a lead, a mysterious comment from one of the homeless men, and a disappearing man on a billboard. As with most cases that fall under the X-Files, they don’t have much physical evidence to go by. The only materialistic lead led to a dead end, and the crimes keep piling up!

Image: FOX

How is Mulder going to figure this out without the brilliant scientific mind of Ms. Dana Scully?! We wouldn’t have to wonder long, as it seems Mulder was thinking the same thing. He soon joined Scully at her mother’s side, to comfort her? Nah, his mind is all about the case. As for Scully, she is somewhere  else, a common theme with revival episodes which seem to be diving deep into the issues Scully has with William, the child she and Mulder had given up for adoption. So it comes as no shock when Scully’s mom makes a dramatic exit, but not before mentioning the taboo, William. This seems to send a shock to Scully’s core, instantly making her want to dive back into work. Yessss, our girl is back, and we have 20 minutes left for her to save the day!

Image: FOX

We follow Mulder and Scully on their mission to track down the monster they dubbed, “The Trashman”. This leads them to a hippie artist street guy? As said street guy is preaching about society’s lack of respect, and the toxins leaking into the earth, we begin to loose Scully again. She is lost in thoughts of William again. Mulder is trying to listen to the street guy ranting about Tulpas, manifestations created by the mind, and the Tulpa he created “The Band-aid man” but he is noticing Scully is somewhere else again.

At this point in the episode it is as though they kind of rush to end it in the allotted time. The case itself seems as though it takes a backseat to the things happening with Scully. I can’t help but feel this is all leading up to some big reveal about William, Mulder and Scully’s child.

Image: FOX

Scully snaps the street man into reality by calling him out on being just as bad as the people he claims to hate. This triggers him to want to help stop the next potential attack. Mulder and Scully, with the street artist in tow, show up seconds too late; another victim was claimed. In an attempt to right his wrongs, the street artist tries to transform the Tulpa of “The Band-aid man” to a happy face, but as we see him leave the building he called home, we see “the Band-aid man” is still very much alive. The episode ends on a cliff hanger for the case, and with more sentimental talk between Mulder and Scully.

As much as I love the show, I find myself a little disappointed with last night’s episode. As important as the information may be about William, we can’t forget about the part of the show that made us fans to begin with, the monsters! This episode tried too hard to do two storylines that it left the case as an afterthought. I’m just hoping come next week we have a more cohesive episode to watch and all the William stuff can take more of a backseat to the case.


Written by A Play On Nerds Contributor, Kaylynn Kasandra.

In review, article Tags x-files, paranormal, tv, television, fox
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The Powers That Be - Sony's Powers TV Show Season 1 Review

November 4, 2015

Hope you’re not tired of comic books on television yet. Well not exactly “television” but we’ll get to that momentarily. This year alone audiences were introduced to several small screen adaptations with shows like The Flash, iZombie, Gotham, and Constantine with varying level of success. Don’t forget popular continuing series like The Walking Dead or Agents of S.H.I.E.L.D. that have dedicated fan bases, the first of which is getting a spin-off series which will feature more people killin’ walkers and fellow survivors. So what makes “Powers” so different from the rest?

The show is based on the long running Brian Michael Bendis/Michael Avon Oeming series about a part of the police force that deals with super powered humans referred to as “powers” and the realities of what the world would be like if these people actually existed. It turns out they’re rock stars and celebrities, idolized by the average American with commercial deals and brands of energy drinks. To the world they seem like hero’s but those in the POWERS Task Force know better. These are the police officers that deal with the violent offenders and criminals with abilities as well as the no good deeds of the various heroes; like the occasional drug overdose or sex with minors. It’s hard to hand out a warrant to someone who can shoot lighting from his eyes or summon storms at her will. The show follows our protagonist “Christian Walker”, played by District 9’s Sharlto Copley, previously known as Diamond, one of the world’s greatest hero’s who lost his powers and now works as a detective investigating Power related crimes, and his new partner Deena Pilgrim, played by Susan Heyward.

This show is a PlayStation Original, airing free for PlayStation Plus users, across multiple platforms, making it the first legitimate show to come out for game consoles, and I have to say, it was a rocky start folks. The pilot episode was weak, no other way to put it. Written by the show runner Charlie Huston, a writer I greatly admire, this episode had pacing problems, expository dumps, repetition of phrases like “what’s it like to be powerless” and one or two moments where characters say or do stupid things only to further plot, not to mention the visuals for the show. David Slade has directed some great television episodes. For reference, look at his work on Hannibal... and I liked his movies Hard Candy and 30 Days of Night, but this may be a low point for him... and this guy directed one of the Twilight movies! There clearly wasn’t much of a budget for this, with generally weak effects, excluding a moment here or there. When I first saw the way the show rendered powers and the visual aesthetics for the world, I thought perhaps I was watching a SyFy network show or something on NBC before I quite nailed down what exactly the show felt like to me. If you’ve seen any live action commercials (Greatness Awaits) then you have an idea for the way the show looks, just with the same budget for those 2 minute commercials expanded to 55 minutes.

If you can sit through what is essentially an hour long hand-holding for what this show is, then you will be rewarded because episodes two and three are better episodes. The run time is a standard 45 minutes which helps the pacing and the writing gets subtler, with still some corny and cheesy lines thrown in but nothing worse than on something like Gotham or Arrow. What really shines in these episodes are the character dynamics, our protagonists investigation of the murder of Olympia, a major superhero who overdosed from a new designer drug called Sway, with the only lead a young teenage girl “power wannabe” named Calista, who gets caught up with shady yet noble Johnny Royale, a figure from Christian’s past recently returned for motives unknown. 

With every episode it feels like the actors get more comfortable in their roles, with some stand outs from Michelle Forbes as Retro-Girl who exudes power on the screen, Eddie Izzard as Wolfe who gives a typical Eddie Izzard performance notched up to 11 here as a cannibal who can consume powers- including our main character’s power several years prior- and perhaps the best character so far Johhny Royale, played by Noah Tyler who seems to be channeling Clive Barker in his performance and almost impossible not to watch.

At episode five, “Paint it Black,” the show is half way done with its first season. By now if you’re like me you’re hooked and can’t wait for the next episode and wished that PlayStation would use the Netflix model and put up all the episodes all at once. All elements of the show are better now, or perhaps you don’t mind as much after four hours of watching or so, such as the effects, dialogue, directing, and performances with the occasional slip into camp with lines like “I am power!” or bad CGI blood spray used a little too much.

While the show is presented as a science fiction/ police procedural/ drama it doesn’t really seem to care about the police aspect all that much, at least in terms of proper investigating or paperwork. Maybe with time the show could evolve to find room for all that but right now it’s busy dealing with themes such as the past catching up to you or what it really means to be a hero and carry all that responsibility while also serving as a satire to modern celebrity culture. Much to my surprise the show has several strong emotionally honest beats between characters that actually work better than the action or violent beats, which the show has a fair amount of with beheadings and fights a plenty.

Overall I have to say that this show went from being the weakest of the new batch of small screen adaptations to quite possibly being the strongest of them all.


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