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The Walking Dead - "The Same Boat" - Season 6 Episode 13

March 17, 2016

A tense episode begins with Maggie and Carol arguing over who is going into the Savior’s complex to help our team of murderers.  Carol in this moment seems to accept her role as a killer and doesn’t want Maggie to suffer the same turmoil that she goes through.  But before she can leave she wings a Savior, and Maggie is a little too eager to finish the job before more Saviors show up (oddly all female) and take them hostage.  I found this an interesting move by the writers, since women in the Saviors camp are mostly secondary citizens, to be enjoyed by Negan at his will, regardless of relationship status.

Source: AMC

Through binoculars they see our heroes take down Primo, and the shaky negotiations begin.  Paula (Alicia Witt) is goaded by her wounded companion to make a deal because he needs medical attention, but is shushed.  Again, an odd choice to me because the comic Saviors are wildly misogynistic.  As a walker approaches, Carol and Maggie are blindfolded and the opening credits roll.

Maggie and Carol are walked and then driven to a slaughterhouse, while Paula communicates with other Saviors in a much more organized way than our heroes do.  Once they are unmasked, Paula kills a walker in front on Maggie in a very backhanded act of mercy.  Outside the room our heroes are being held, walker trouble arises and Paula has to make hasted to assist, but not before threatening Carol and Maggie with death.  Not ones to slouch, once the coast is clear they begin figuring out how to free themselves.  It doesn’t last long as the Saviors return, but with one of their own in messy shape.  Carol begins to make a play, hyperventilating and using a rosary from the previously killed walker to enhance the ruse.  Again, Carol is my favorite character because she does anything and everything to survive and see that her people make it out too.  Paula seems to buy her act and when she finds out Maggie is pregnant, a very poignant moment takes place:  Paula calls Maggie stupid, and her response is golden.  Indeed, the entire exchange is praiseworthy.  The older Savior, Molly, lights up a cigarette but extinguishes after Carol and her fellow Savior speak up.  Is this where a much needed rift of sympathy begins for our captured heroines?

Source: AMC

The rift deepens when Carol and Maggie attempt to defend Paula after the wounded Savior, Donnie, strikes her.  After the tussle Maggie is taken to be interrogated while Carol notices walkers eagerly waiting in the next room.  While Maggie remains stoic during her interrogation, Carol beautifully plays the part of the weak woman she used to be, playing Paula like a harp.  Maggie’s unflinching character draws a personal moment out from her interrogator and I have to applaud the writers for doing such a good job of humanizing both our heroines and the Savior women, who are both “in the same boat.”

Carol continues to play dumb and get information, and hears an ominous confession from Molls:

“We are all Negan.”

And as they’re all standing there and Carol asks Molly for a smoke and Paula calls her out on not sticking to her own principles, Carol delivers an even more ominous line:

“You don’t want me to stick to my own principles.”

But Paula doesn’t see this slip of the mask and gives away her own pathetic life story and her motivation for being a savage in the new world.  But Carol gives her a somber reminder that she WILL die, and when Paula inquires further about her death and if Carol will deliver it, she says,

“I hope not.”

Source: AMC

Again, I love Carol.  She will destroy in a heartbeat but only when there is no other option, and even though she’s in the right (maybe) she carries the lives she took with her.  After a quick negotiation between Paula and Rick, she’s left alone again.  She gets free and frees Maggie and wants to sneak away, but Maggie has other plans.  It’s an odd moment and it seems likes Morgan has rubbed off on Carol in the wrong way in this particular situation.  I’m all for zen and whatnot, but when I get kidnapped by people who enjoy killing, who among them keep polaroids of their victims, no one survives my exit.

And a similar sentiment is shared by Maggie, who sets a trap for Molly and then beats her to death while Carol stands guard.  DO NOT fuck with a pregnant woman, apparently.  Paula is none too happy about this when she sees the bodies and sets off after our heroines, who have walker problems.  

Source: AMC

When Paula catches up with Carol and Maggie, it’s fucking fireworks.  Carol is who you want on your team.  She saves Maggie from gunfire and pulls a gun on Paula, giving her a chance to run.  It’s really interesting because Carol seems like she wants to stop killing but it’s the state of the world that won’t allow her to be anything less than a killer.  Her initial mercy comes at a cost, but after a short scuffle with Paula, she sees again her cruel reality.  I love Alicia Witt, I really do.  I loved her in Justified, I loved her in Four Rooms.  But seeing her impaled and eaten was a huge FUCK YEAH moment.  Before she goes out, she laughs at how gullible she was to Carol’s ruse.  It just goes to show that neither Negan nor the Saviors are as brutal or cunning as our heroes and heroines.

Not to be forgotten, Michelle shows back up and dukes it out with Maggie, attempting to slice her pregnant belly.  The two have a brief moment of betrayal before Carol once again saves the day and blasts Michelle in the head.  

Source: AMC

Another stunning scene takes place when Carol and Maggie lie in wait for the Savior rescue team.  Carol ruminates on the lives she took while Maggie attempts to console her.  Carol lights up a cigarette, which proves fatal for the rescue team.  They both walk out of the “killing floor” in dramatic fashion and as they open the door to meet Glenn, Rick and the rest of the team. I was relieved, but it’s clear that Carol is not okay.  Not having any chips to play, Primo meets the end of the line while Carol looks on and it’s clear that she wishes for a higher power, perhaps to judge her, perhaps to absolve her, perhaps to forgive her.

It doesn’t look like we’re going to see Negan until the season finale and I really don’t like the direction the show is taking in regards to Carol’s remorse.  I quit the comic after Glenn died, and I will quit this show if Carol goes.  Yet another satisfying yet suspenseful week for us fans.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, twd, amc, zombies, horror
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Agents of S.H.I.E.L.D. - "Bouncing Back" - Season 3 Episode 11 Review

March 9, 2016

And, we're back! After a long hiatus, (seriously, this show hasn't been on since early December), Agents of S.H.I.E.L.D. finally returns for the second half of its third season. I have high hopes for the rest of season three. The show burned through plot, like crazy, during the first half, and it will be interesting to see how and if the writers can keep it up. It would be nice to see AoS maintain some consistent momentum throughout an entire season, something it's failed to do in its brief two and a half years of existence, but I like what I saw from the midseason premiere, and am willing to give Coulson and his crew the benefit of the doubt.

Source: ABC/Disney/Marvel

“Bouncing Back” picks up shortly after the events of the midseason finale. Coulson pays a visit to Rosalind’s house, a bloodstain still visible on the rug where she died. He’s met by William Sadler’s President Ellis, (a nice nod to Iron Man 3 and the wider Marvel Cinematic Universe) and the two agree that S.H.I.E.L.D. will continue working in the shadows to find and help newly transformed Inhumans, while the ATCU acts as the public face of the operation. Coulson spends the rest of the episode seeking out Gideon Malick, complete with a patented Phil Coulson "let the bad guy know you're coming for him" phone call. The episode briefly revisits Coulson coming to grips with the cold and brutal way in which he murdered Ward, but the narrative doesn’t dwell on this for too long, which is nice.

Source: ABC/Disney/Marvel

By far, the highlight of the episode is the ground team's (Skye, Mac, Bobbi, Hunter, and Joey) investigation of an Inhuman appearance in Colombia. This new Inhuman has a really fun power that can be challenging to pull off without coming across as too cheesy or overpowered. However, the use of special effects in its portrayal is very good, and the "scientific" explanation behind the power is amusingly satisfying as well. AoS is really rounding into form with how it handles its super powered action sequences, a somewhat recent development that it’s only had to deal with since the last third of season two. And, while I’m sure most fans were itching for the midseason premiere to jump right into Secret Warriors, "Bouncing Back" gives us a nice taste of what's to come.

The episode shares a nugget of screen time for the artist formerly known as Grant Ward. Admittedly, I wasn’t a huge fan of the writers' decision to resurrect Ward with the Hydra Inhuman (Hive). I felt like Ward's arc needed to come to a close because it was pretty clear that he was way too far from redemption, and had too much baggage to be relatable to viewers in any meaningful way. He went from being the hero to the betrayer, from the man acting out of love (for Skye) to the man losing his love (in Agent 33). That's a lot of beats for one character to hit in the span of two and a half seasons.

In a lot of ways, I thought Ward’s “death” was handled quite well. As a character defined not only by his betrayal and sociopathic tendencies, but also by his intense and unwavering devotion to his loved ones, the fact that he spent his last moments on a distant alien planet, alone, struck me as poetic. I also thought it would’ve been rather brave for the show to write off one of its original cast members in such a quick and ignominious fashion. At the time, it gave me the kind of haunting feeling you get when you watch Ned Stark die nine episodes into Game of Thrones. He was such an important character, and then all of a sudden, he wasn’t.

Source: ABC/Disney/Marvel

And yes, technically Ward is dead, but his death feels a bit cheapened when his body is up and about in this episode- catching up on some CNN, consuming large quantities of meat. Obviously, the narrative impact hits when Hive Ward comes face to face with the gang. They'll be shocked he's still alive, they'll vow to finally destroy him once and for all, blah blah blah. The problem is that we've seen this play out before. We know what it's like for Ward to be the bad guy.

It could have been a lot more interesting to see Hive introduced through a typically good character, say, if Fitz didn't realize Will was dead, and Hive Will ended up coming through the portal back to Earth. There's a very good chance that I end up wrong, and Hive Ward turns out to be the greatest thing since sliced bread. But, there's an opportunity cost that comes with continuing the use of a character versus bringing in a new one, and I prefer the originality and potential that comes with something new over a known commodity.

Source: ABC/Disney/Marvel

And of course, what would an episode of Agents of S.H.I.E.L.D. be without another addition to the "will they, won’t they" saga of Jemma Simmons and Leopold Fitz. We get one scene dedicated to these two star-crossed lovers, and while they don't officially end up together, they're also not...not together? Sigh. I’ll admit, I’ve been shipping at the altar of FitzSimmons ever since season one. But even for me, this constant back and forth is nearing Jim and Pam levels of "just get together already!"

It’s pretty clear that the writers will continue to stretch this out, though I don't necessarily think it's a bad storyline. The characters are still enjoyable, both together and apart, and I found the not-so-long ago Fitz-Simmons-Will love triangle genuinely compelling, introduced and executed all in one episode, with only two of the three characters ever actually present. But, it really felt like the conclusion of the “Rescue Will” arc should have been the logical end to all the "will they, won't they." At that point, the characters had been through so much together that it should've either brought them together or torn them apart. But, to have neither just seems really disappointing to me.

It's a shame that two of the show's most promising characters have been anchored by this one storyline for so long. Yes, we've seen a lot of growth in Fitz since season one, but it feels a bit wasted when we only get to see that growth in ways that relate back to Simmons, rather than to any of the show's wider narratives.

Overall, I enjoyed "Bouncing Back," and thought it worked well as a lead-in to the stories we'll encounter throughout the rest of the season. Not every midseason premiere needs to be as explosive as say, The Walking Dead's, and I was satisfied with the small bows this episode quickly tied on some of the midseason finale's loose ends, while also giving us just enough new information to thoughtfully chew on until next Tuesday.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In television, review, article Tags marvel, mcu, agents of shield, marvel cinematic universe
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The Walking Dead - "Not Tomorrow Yet" - Season 6 Episode 12 Review

March 7, 2016

This week has been a long time coming, ever since rumors of the Saviors story-line began to bubble up.  We start with my favorite character on the show, Carol, doing what she does best.  She’s baking cookies and killing walkers (to the tune of Parsonsfield’s “Weeds or Wildflowers” if you found the song catchy) and her biggest worry in the world is getting blood on her blouse.  It’s clear that she’s a light of Alexandria, handing out cookies and putting smiles on faces, and maybe even having a flirty moment with Tobin.  As usual, these idyllic scenes are interrupted as the RV returns with the rest of our heroes who are clearly a bit somber even as they say they’ve brought food.  Rick tells Sasha to gather everyone at the church for reasons unknown, but can be a little more honest when Carol asks what’s going on.

Source: AMC

“We have to fight,” Rick says.  He doesn’t sound as resolute as he did back at Hilltop.  He leaves Carol to ponder this and we see storm clouds gathering overhead.  Symbolism.  Writers use it a lot on this show.  Still, this is why Carol is my favorite.  She’s an absolute savage when she needs to be, and it doesn’t matter if she’s destroying entire encampments like an overpowered Fallout hero (Terminus) or mercy killing child psychopaths (Lizzie), she gets the job done.  But that doesn’t mean she doesn’t carry the weight of her actions with her, and as she looks down at her acorn and beet cookies, she knows her days as a zombie apocalypse homemaker are over and her days of being a ruthless killer are about to begin again.  Later Morgan finds her and attempts to talk about the fiasco during the invasion of Alexandria but she’ll have none of it.  They part ways and the episode begins, revealing as the theme song begins that Carol was standing at Sam’s grave, who she killed by merely planting the seed of fear in his mind.  Brutal.

Source: AMC

Rick gives the people of Alexandria the lowdown; they have to kill the Saviors in order to secure the prosperity of both them and Hilltop.  The only person that objects to this is of course Morgan, who much like a vegan or a crossfit enthusiast, has to share his superior perspective on life.  This doesn’t fly very well because he wants to give them a choice, and we remember what happened the last time Morgan gave someone a choice.  Later on Carol can’t sleep, and we see that she keeps a kill journal by her bed.  Clearly her actions have taken their toll on her and as she goes for a walk she meets with Tobin.  Their romantic moment gives her comfort.  She does the things she does because she’s a mother, and not just a sweet, doting mother.  She’s able to fiercely defend those she loves, which takes true strength.  To think, in the comic she was incredibly weak willed and dead by the second story arc.  Rick and Maggie have their moment, as well as Tara and Denise.

Source: AMC

Abraham finally drops the hammer on his relationship with Rosita, in probably one of the most unpoetic and insulting ways I’ve ever seen on TV.  What a jerk.  Still, not even Eugene’s awkward attempt at humor can console her.  Rick reveals his plan to the team, and though the floor plans given to them by Andy are shaky, he has a plan that involves a severed head.  The next day our war band heads out, making a pit stop to do some head hunting for a walker that resembles Gregory.  Carol decides to stay back with Maggie and Rick does his own brand of reconstructive surgery on one of the walker heads to get it to look more like Gregory.  Andy remarks that while the Saviors are scary, they’ve got nothing on Rick.  I tend to agree, because up to this point we’ve seen brutality and cruelty from people who are reveling in the lack of consequence and order in the world, but Rick has done far worse things to preserve order.

Source: AMC

Andy approaches the Savior’s compound alone to start the ruse, and after some impressive stealth work, the tactical sweep of the compound begins.  It’s not easy killing people in their sleep, but I think that if the show had taken different steps in story and pacing, and we got to see just how low down dirty these guys are, there’d be no need to show our heroes in moral conflict.  Glenn and Heath have a tough go of it, but after seeing Polaroids of people who have met Lucille (I assume, and major spoilers if you decided to Google Lucille) on the wall of one of their victims, maybe it’ll be easier for them to kill some Saviors in the future.  As Abraham and Sasha sweep a hallway, one of the Saviors gets the drop on them and even though he is thoroughly shanked he pulls an alarm, and our heroes are forced to go weapons hot.

What follows is one of the most exciting scenes this season, or any.  Even the bloodiest walker slaughter montage isn’t as gripping as the next few scenes of firefights, stabbings, door kickings, bludgeonings and overall mayhem and carnage.  Maggie and Carol have words about who goes in to help, while Jesus, Tara and Gabriel dive right in.  Glenn and Heath get chased into the armory, and unload through the door with their newfound weapons.  A little shocked at their body count, they’re rescued by Jesus.  Interestingly, Gabriel gives the last rites to a dying but still defiant Savior.  So far this episode is a grand meditation on mortality and salvation.

Source: AMC

As quickly as it begins, it’s over and with our heroes relatively unscathed.  Maybe Heath is a little shaken but overall the day is won.  Michonne isn’t quite satisfied however, wondering who among those so easily mowed down was Negan.  She gets a roundabout answer when a lone survivor tries to make his escape on a motorcycle.  They take him down but before they can interrogate him, a voice on his radio crackles.  Apparently an entirely new group of Saviors has eyes on them, and have also taken Maggie and Carol hostage.  A good rule on this show is that if it looks too easy, it probably is.

This leaves the group in a very tight spot for next week.  Not only are they within sniping range at the compound but having Maggie and Carol captive compromises Glenn in a very bad way.  There’s a lot of speculation about the next few events in the series and they’ve done a good job of confusing us with different hints here and there.  It has to end badly for someone somehow because you can’t just waltz into someone’s compound and kill them all, some in their sleep, without suffering some retribution from their buddies.  Fans of the comic already know the how, now it just remains to be seen who it will be.  There are a handful of candidates, marked by their romantic ties, others by their newly compromised humanity/philosophy.  It seems a little grim, just waiting for the inevitable slaughter of one of our heroes but that’s just the way it goes when you’re a Walking Dead fan.  Has it gotten a little cheap, creating drama from killing characters we’ve become attached to?  But then again, is that not the whole premise of the show?

Source: AMC

Other questions still remain:  If the compound was just SOME of the Saviors, how many of them are there?  And if the group is being watched, they clearly can’t recover the weapons they found, so how will they fight back with depleted ammo?  And what was Morgan welding at the end there?  I think THAT is the most interesting thing to ponder going forward.  Either way, we’re going to have to wait yet another week for Negan to make his violent debut, and I’m not sure that’s something we should be looking forward to.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In review, article, television Tags the walking dead, amc, horror, zombies
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