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Agents of S.H.I.E.L.D. - "The Inside Man" - Season 3 Episode 12 Review

March 17, 2016

After a solid start to the second half of its third season, Agents of S.H.I.E.L.D., keeps the momentum going with this week's episode, "The Inside Man.” So far this season, the writers have found a nice rhythm of churning out enjoyable weekly stories, while still keeping an eye on their larger, season-long arcs, a balance they've struggled to achieve at times. The show still leaves a bit to be desired in the character development department, but the core cast continues to be enjoyable, and the potential for future intersecting arcs is there. Although, given the show's history with developing new characters, I'm not expecting a transcendent Mac storyline anytime soon.

Source: ABC/Marvel

We get two big reappearances this week in General Glenn Talbot (Adrian Pasdar) and Carl “Crusher” Creel (Brian Patrick Wade). General Talbot was introduced way back in the last third of season one as a minor antagonist. Since then, he's softened his stance on S.H.I.E.L.D. to the point of becoming a begrudging ally midway through season two, his most recent appearance in the show. This week, Talbot, as the new head of the ATCU, forms an uneasy alliance with Phil Coulson, and it's clear from the get go that there are still some mixed feelings between the two. This odd couple does a great job of driving the narrative for the episode, and manages to deliver some strong moments of comedic relief along the way.

Carl Creel was last seen in a short two episode arc back in the beginning of season two, and is a character I’m glad the show is revisiting. Creel, otherwise known as the Absorbing Man, plays a much larger role in Marvel’s comic universe, and is actually considered a fairly major villain, having famously gone toe to toe with both Thor and the Hulk. In the realm of television; however, Creel is given a much narrower scope, playing nothing more than the role of hired muscle. Luckily, hired muscle tend to get some of the best action sequences, and Creel's visually interesting absorbing power is well displayed throughout this episode. Ultimately, Creel's impact on the show might be more far reaching than his limited role would suggest. Fitzsimmons discovers that Creel's blood actually stops and reverses the active process of terragenesis, theoretically allowing it to act as a vaccine, a concept that you can bet your Quinjet will play a big role in the future.

Source: ABC/Marvel

Lincoln gets a bit of the spotlight this week, and I’m interested to see if he develops into something more than just a cool set of powers and great hair. Lincoln's unique in that he's the show's veteran Inhuman, who also maintains a strong human connection to the world, through his experience as a doctor. As the newest member of the S.H.I.E.L.D. team, the writers have a chance to reinvent members of the old cast through their interactions with Lincoln, and I would love it if this jump-started some strong, character-driven storylines among the more veteran characters, like May or Simmons. Specifically, I enjoyed his fieldwork scene with May, and the coaching she had to give him. It reminded me of the earlier episodes of AoS when Skye was first getting her bearings. I hope the show explores this dynamic further because it’s a nice change of pace, and makes the narrative feel a bit smaller and more relatable.

Unfortunately, it seems like this potential character development will be railroaded for the foreseeable future by Lincoln's relationship with Daisy. If you've read any of my previous reviews, you know I have a hard time wrapping my head around a poorly developed romance arc. It's not that I hate love, I love love! But in the context of a network drama, it can be hard to pull off in a genuine way. Plus, every "do me eyes" scene between Daisy and Lincoln only takes away from the potential screen time that the two could be sharing with other characters.

Luckily, this episode introduces an interesting wrinkle to Shake and Bake. When the two learn that Creel's blood can possibly serve as an Inhuman vaccine, they are split on the merits of the idea, with Daisy believing Inhumans have no need for "a cure," while Lincoln argues that giving people a choice could be beneficial to the greater good. For those circa 2006 X-Men film fans, this dilemma will seem very familiar because it's the same one presented in X-Men: The Last Stand. Only time will tell if this difference in opinion turns into something more, lest we forget that Daisy started out as a Rising Tide conspiracy theorist. So, it wouldn't be too big of a stretch for this headstrong character, founded on standing up for what she believes in, to carry those beliefs to an extreme level.

Source: ABC/Marvel

Finally, this episode continues to tease us with snippets of the new Grant Ward, aka Hive. Interestingly enough, it's revealed that Hive has access to Ward's memories, leading some fans to speculate that a total Ward resurrection might be in the cards, an idea that makes my eyes roll into the very rear-most point of my head. We also get to explore Hive's powers a bit more, although we still don't get a definitive demonstration. There's been a lot of build up to this villain, and I'm curious to see if the writers will be able to deliver a satisfying payoff. Recently, AoS has struggled to give us consistently compelling villains, favoring style over substance when it came to the super-powered bad guys of season two (Jiaying and Gordon) versus the more nuanced, non-powered foes of season one (Ward and John Garrett). So far, it seems like there's a lot of sizzle to Hive, but whether or not he has the steak to go with it is something we'll have to wait and see.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In television, review, article Tags agents of shield, abc, marvel, marvel cinematic universe, mcu, disney, coulson
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The Walking Dead - "The Same Boat" - Season 6 Episode 13

March 17, 2016

A tense episode begins with Maggie and Carol arguing over who is going into the Savior’s complex to help our team of murderers.  Carol in this moment seems to accept her role as a killer and doesn’t want Maggie to suffer the same turmoil that she goes through.  But before she can leave she wings a Savior, and Maggie is a little too eager to finish the job before more Saviors show up (oddly all female) and take them hostage.  I found this an interesting move by the writers, since women in the Saviors camp are mostly secondary citizens, to be enjoyed by Negan at his will, regardless of relationship status.

Source: AMC

Through binoculars they see our heroes take down Primo, and the shaky negotiations begin.  Paula (Alicia Witt) is goaded by her wounded companion to make a deal because he needs medical attention, but is shushed.  Again, an odd choice to me because the comic Saviors are wildly misogynistic.  As a walker approaches, Carol and Maggie are blindfolded and the opening credits roll.

Maggie and Carol are walked and then driven to a slaughterhouse, while Paula communicates with other Saviors in a much more organized way than our heroes do.  Once they are unmasked, Paula kills a walker in front on Maggie in a very backhanded act of mercy.  Outside the room our heroes are being held, walker trouble arises and Paula has to make hasted to assist, but not before threatening Carol and Maggie with death.  Not ones to slouch, once the coast is clear they begin figuring out how to free themselves.  It doesn’t last long as the Saviors return, but with one of their own in messy shape.  Carol begins to make a play, hyperventilating and using a rosary from the previously killed walker to enhance the ruse.  Again, Carol is my favorite character because she does anything and everything to survive and see that her people make it out too.  Paula seems to buy her act and when she finds out Maggie is pregnant, a very poignant moment takes place:  Paula calls Maggie stupid, and her response is golden.  Indeed, the entire exchange is praiseworthy.  The older Savior, Molly, lights up a cigarette but extinguishes after Carol and her fellow Savior speak up.  Is this where a much needed rift of sympathy begins for our captured heroines?

Source: AMC

The rift deepens when Carol and Maggie attempt to defend Paula after the wounded Savior, Donnie, strikes her.  After the tussle Maggie is taken to be interrogated while Carol notices walkers eagerly waiting in the next room.  While Maggie remains stoic during her interrogation, Carol beautifully plays the part of the weak woman she used to be, playing Paula like a harp.  Maggie’s unflinching character draws a personal moment out from her interrogator and I have to applaud the writers for doing such a good job of humanizing both our heroines and the Savior women, who are both “in the same boat.”

Carol continues to play dumb and get information, and hears an ominous confession from Molls:

“We are all Negan.”

And as they’re all standing there and Carol asks Molly for a smoke and Paula calls her out on not sticking to her own principles, Carol delivers an even more ominous line:

“You don’t want me to stick to my own principles.”

But Paula doesn’t see this slip of the mask and gives away her own pathetic life story and her motivation for being a savage in the new world.  But Carol gives her a somber reminder that she WILL die, and when Paula inquires further about her death and if Carol will deliver it, she says,

“I hope not.”

Source: AMC

Again, I love Carol.  She will destroy in a heartbeat but only when there is no other option, and even though she’s in the right (maybe) she carries the lives she took with her.  After a quick negotiation between Paula and Rick, she’s left alone again.  She gets free and frees Maggie and wants to sneak away, but Maggie has other plans.  It’s an odd moment and it seems likes Morgan has rubbed off on Carol in the wrong way in this particular situation.  I’m all for zen and whatnot, but when I get kidnapped by people who enjoy killing, who among them keep polaroids of their victims, no one survives my exit.

And a similar sentiment is shared by Maggie, who sets a trap for Molly and then beats her to death while Carol stands guard.  DO NOT fuck with a pregnant woman, apparently.  Paula is none too happy about this when she sees the bodies and sets off after our heroines, who have walker problems.  

Source: AMC

When Paula catches up with Carol and Maggie, it’s fucking fireworks.  Carol is who you want on your team.  She saves Maggie from gunfire and pulls a gun on Paula, giving her a chance to run.  It’s really interesting because Carol seems like she wants to stop killing but it’s the state of the world that won’t allow her to be anything less than a killer.  Her initial mercy comes at a cost, but after a short scuffle with Paula, she sees again her cruel reality.  I love Alicia Witt, I really do.  I loved her in Justified, I loved her in Four Rooms.  But seeing her impaled and eaten was a huge FUCK YEAH moment.  Before she goes out, she laughs at how gullible she was to Carol’s ruse.  It just goes to show that neither Negan nor the Saviors are as brutal or cunning as our heroes and heroines.

Not to be forgotten, Michelle shows back up and dukes it out with Maggie, attempting to slice her pregnant belly.  The two have a brief moment of betrayal before Carol once again saves the day and blasts Michelle in the head.  

Source: AMC

Another stunning scene takes place when Carol and Maggie lie in wait for the Savior rescue team.  Carol ruminates on the lives she took while Maggie attempts to console her.  Carol lights up a cigarette, which proves fatal for the rescue team.  They both walk out of the “killing floor” in dramatic fashion and as they open the door to meet Glenn, Rick and the rest of the team. I was relieved, but it’s clear that Carol is not okay.  Not having any chips to play, Primo meets the end of the line while Carol looks on and it’s clear that she wishes for a higher power, perhaps to judge her, perhaps to absolve her, perhaps to forgive her.

It doesn’t look like we’re going to see Negan until the season finale and I really don’t like the direction the show is taking in regards to Carol’s remorse.  I quit the comic after Glenn died, and I will quit this show if Carol goes.  Yet another satisfying yet suspenseful week for us fans.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, twd, amc, zombies, horror
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Agents of S.H.I.E.L.D. - "Bouncing Back" - Season 3 Episode 11 Review

March 9, 2016

And, we're back! After a long hiatus, (seriously, this show hasn't been on since early December), Agents of S.H.I.E.L.D. finally returns for the second half of its third season. I have high hopes for the rest of season three. The show burned through plot, like crazy, during the first half, and it will be interesting to see how and if the writers can keep it up. It would be nice to see AoS maintain some consistent momentum throughout an entire season, something it's failed to do in its brief two and a half years of existence, but I like what I saw from the midseason premiere, and am willing to give Coulson and his crew the benefit of the doubt.

Source: ABC/Disney/Marvel

“Bouncing Back” picks up shortly after the events of the midseason finale. Coulson pays a visit to Rosalind’s house, a bloodstain still visible on the rug where she died. He’s met by William Sadler’s President Ellis, (a nice nod to Iron Man 3 and the wider Marvel Cinematic Universe) and the two agree that S.H.I.E.L.D. will continue working in the shadows to find and help newly transformed Inhumans, while the ATCU acts as the public face of the operation. Coulson spends the rest of the episode seeking out Gideon Malick, complete with a patented Phil Coulson "let the bad guy know you're coming for him" phone call. The episode briefly revisits Coulson coming to grips with the cold and brutal way in which he murdered Ward, but the narrative doesn’t dwell on this for too long, which is nice.

Source: ABC/Disney/Marvel

By far, the highlight of the episode is the ground team's (Skye, Mac, Bobbi, Hunter, and Joey) investigation of an Inhuman appearance in Colombia. This new Inhuman has a really fun power that can be challenging to pull off without coming across as too cheesy or overpowered. However, the use of special effects in its portrayal is very good, and the "scientific" explanation behind the power is amusingly satisfying as well. AoS is really rounding into form with how it handles its super powered action sequences, a somewhat recent development that it’s only had to deal with since the last third of season two. And, while I’m sure most fans were itching for the midseason premiere to jump right into Secret Warriors, "Bouncing Back" gives us a nice taste of what's to come.

The episode shares a nugget of screen time for the artist formerly known as Grant Ward. Admittedly, I wasn’t a huge fan of the writers' decision to resurrect Ward with the Hydra Inhuman (Hive). I felt like Ward's arc needed to come to a close because it was pretty clear that he was way too far from redemption, and had too much baggage to be relatable to viewers in any meaningful way. He went from being the hero to the betrayer, from the man acting out of love (for Skye) to the man losing his love (in Agent 33). That's a lot of beats for one character to hit in the span of two and a half seasons.

In a lot of ways, I thought Ward’s “death” was handled quite well. As a character defined not only by his betrayal and sociopathic tendencies, but also by his intense and unwavering devotion to his loved ones, the fact that he spent his last moments on a distant alien planet, alone, struck me as poetic. I also thought it would’ve been rather brave for the show to write off one of its original cast members in such a quick and ignominious fashion. At the time, it gave me the kind of haunting feeling you get when you watch Ned Stark die nine episodes into Game of Thrones. He was such an important character, and then all of a sudden, he wasn’t.

Source: ABC/Disney/Marvel

And yes, technically Ward is dead, but his death feels a bit cheapened when his body is up and about in this episode- catching up on some CNN, consuming large quantities of meat. Obviously, the narrative impact hits when Hive Ward comes face to face with the gang. They'll be shocked he's still alive, they'll vow to finally destroy him once and for all, blah blah blah. The problem is that we've seen this play out before. We know what it's like for Ward to be the bad guy.

It could have been a lot more interesting to see Hive introduced through a typically good character, say, if Fitz didn't realize Will was dead, and Hive Will ended up coming through the portal back to Earth. There's a very good chance that I end up wrong, and Hive Ward turns out to be the greatest thing since sliced bread. But, there's an opportunity cost that comes with continuing the use of a character versus bringing in a new one, and I prefer the originality and potential that comes with something new over a known commodity.

Source: ABC/Disney/Marvel

And of course, what would an episode of Agents of S.H.I.E.L.D. be without another addition to the "will they, won’t they" saga of Jemma Simmons and Leopold Fitz. We get one scene dedicated to these two star-crossed lovers, and while they don't officially end up together, they're also not...not together? Sigh. I’ll admit, I’ve been shipping at the altar of FitzSimmons ever since season one. But even for me, this constant back and forth is nearing Jim and Pam levels of "just get together already!"

It’s pretty clear that the writers will continue to stretch this out, though I don't necessarily think it's a bad storyline. The characters are still enjoyable, both together and apart, and I found the not-so-long ago Fitz-Simmons-Will love triangle genuinely compelling, introduced and executed all in one episode, with only two of the three characters ever actually present. But, it really felt like the conclusion of the “Rescue Will” arc should have been the logical end to all the "will they, won't they." At that point, the characters had been through so much together that it should've either brought them together or torn them apart. But, to have neither just seems really disappointing to me.

It's a shame that two of the show's most promising characters have been anchored by this one storyline for so long. Yes, we've seen a lot of growth in Fitz since season one, but it feels a bit wasted when we only get to see that growth in ways that relate back to Simmons, rather than to any of the show's wider narratives.

Overall, I enjoyed "Bouncing Back," and thought it worked well as a lead-in to the stories we'll encounter throughout the rest of the season. Not every midseason premiere needs to be as explosive as say, The Walking Dead's, and I was satisfied with the small bows this episode quickly tied on some of the midseason finale's loose ends, while also giving us just enough new information to thoughtfully chew on until next Tuesday.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In television, review, article Tags marvel, mcu, agents of shield, marvel cinematic universe
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