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The Walking Dead - "East" - Season 6 Episode 15 Review

March 29, 2016

The penultimate episode of this season begins with dripping blood, a pointy stick, a dropped rosary, and what sounds like Carol and someone else in a standoff, then gunfire.  Oh lord, here we go again…

Tobin pays a visit to Carol, and they have one last night together before she slips away.  Elsewhere in Alexandria, Sasha and Rosita grudgingly stand watch together, Carl finds a handgun with an interesting engraving on the grip, and Glenn and Maggie enjoy a moment of wedded bliss.  Daryl is still pained over Denise’s murder, and methinks he’s contemplating some payback.  Abraham, ladies’ man of the apocalypse, makes things weirder for Sasha and Rosita when he comes to relieve Sasha of guard duty.  But at least they have the decency to not play tongue hockey in front of the poor woman.

Source: AMC

While Rick and Michonne get cozy, Rick makes a fairly haughty proclamation that should the Saviors attack Alexandria, they’ll be dispatched with ease.  Time and time again our heroes have pulled off some stunning victories against some pretty nasty guys and girls, but cockiness does not suit Rick.  As Maggie and Glenn go over how to reinforce the town’s defenses, Daryl rashly heads out alone in pursuit of Dwight.  Glenn, Maggie and Rosita give chase in the van.  I get fairly nervous whenever anyone leaves Alexandria now, because not only has Negan not showed up yet, but the rest of the Saviors are seasoned bushwhackers and potentially just as dangerous and vengeful.  Daryl puts several lives at risk for a shot at revenge.  Things in general start to unravel a bit once Rick finds out Carol ran off, as well as Daryl and his pursuers.  He and Morgan (rightfully so) set off to find her and I believe the stage is set for the season finale.  Our heroes have their pieces on the board, it just remains to be seen what moves Negan will make.

Source: AMC

If there’s one mistake Carol has made (or the writers perhaps) is that she took a car that looks like it was used on the goddamn Fury Road.  Soon enough she’s accosted by more Saviors, and while she tries to bluff with her frightened rabbit act, they won’t be fooled.  They know she’s from Alexandria and the car is the dead giveaway.  It’s tough to tell if Carol is genuinely scared or just upset that her savage hand is being forced.  Either way, the Saviors find out the hard way that she had an automatic pistol up her sleeve.  One survivor is impaled with one of the pikes from Carol’s Mad Max-mobile and the other, Hiro, tries to bum rush her and we’re, of course, left hanging while we check back in at Alexandria.  A cliffhanger or unnecessary trolling?  You be the judge.

On Carol’s trail, Rick and Morgan have a contentious conversation and it seems that Rick might be a little tired of hearing about Morgan’s theory on life, the universe and everything.  Eventually they come upon the remains of her handiwork and set off following a trail of blood, presumably left by Miles, the last survivor of the battle.  Yet another mistake made by Carol, leaving anyone alive.

Source: AMC

The Daryl Recovery Team eventually catches up with him but can’t convince him to come back, indeed, Rosita joins his cause and Glenn and Michonne are left to fend for themselves.  Sure enough, they’re ambushed by Dwight and the gang, and I slapped my forehead and sighed “I fucking knew it.”  Thanks, Daryl.  Meanwhile, the Carol Rescue Team follows the trail of blood and they come to a barn where a man is being harrowed by walkers, possibly a Savior.  Morgan stops Rick from shooting him and the two have another talk about the value of life.  Here Morgan confesses that he took mercy on Alpha Wolf, who in a backwards way saved Denise who saved Carl, and thus the circle of life is complete.  Of course, if they just killed Alpha he wouldn’t have taken Denise hostage in the first place.  A moot point now, but still.  Somehow this makes sense to Rick and he allows Morgan to seek Carol on his own.  The two part as friends and Rick heads back home.

Now they tend to cram a lot of things into the last few minutes of this show, and it’s gotten to be pretty damn nerve wracking.  While Abraham finally gets the answer he wanted about being afraid to get close to someone from Rick, Maggie gets a haircut and out of nowhere doubles over in pain, and she is possibly having a miscarriage.  Meanwhile Daryl and Rosita botch a rescue attempt and Dwight shoots Daryl. 

Source: AMC

Perhaps it’s just a symptom of being a fan, but it’s getting exhausting to have so many balls being juggled here.  Some things are resolved, others are purposely drawn out far longer than they should be, and we’re smacked in the face with new threats and complications while waiting to see how everything else plays out.  If Maggie is having pregnancy complications then she has to go to Hilltop, obviously not alone, and that puts more people in Negan’s crosshairs.  If our captured group of heroes are being held specifically for Negan then his first victim is narrowed down for us and once again Glenn isn’t safe.  But if Carol and/or Morgan cross his path, Morgan’s “life is precious” speech pretty much serves him up on a silver platter.  Only one episode to go before the season finale, and I’m really biting my nails here.  Whatever happens, I promise no one is going to like it, and I predict a lot of wailing and gnashing of teeth on the internet.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, twd, amc, zombies, zombie, horror, glenn, negan
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Supernatural - "Safe House" - Season 11 Episode 16 Review

March 25, 2016

Let me first begin by saying how happy I am the wait is over. It feels like it’s been forever since the last episode aired. So I was very pleased when the episode commenced and there were two familiar faces gracing my screen, Bobby and Rufus! Two older, but equally badass hunters that paved the way for Sam and Dean. In true Supernatural style, the main plot of the end of the world was soon pushed to the side with a one liner saying they had no leads on that front, which left us to focus solely on the case at hand.

Source: CW

This particular case was a revisit to a case Bobby and Rufus had previously handled a “handful of years before”. Much like Sam and Dean, Bobby and Rufus have a very entertaining banter and rarely agree on the terms of the case. Bobby was thinking it was a ghost, whereas Rufus is convinced it is a Baku, a Japanese nightmare eater. So it’s not surprising to see the flashbacks coinciding with modern day Sam and Dean both in their interactions and the case. And this episode really seemed to drive home the similarities between Bobby and Dean, which again proves they spent more time with him than their biological father; a point made by Bobby in this episode as well. (I love seeing Bobby’s soft side when it comes to those boys!)

Source: CW

Not sure where to go on this case, they reference Bobby’s hunting notebook, only to find yes, he was at that location previously, but he never filled in the information. Oh Bobby, how typical. So now it looks like they are flying blind, again. They chose to start with burning bodies, in case it was a ghost. Unfortunately for them, both bodies had been burned already, thanks Bobby and Rufus! They do know after speaking to previous tenants however, there was a sigil left behind the wallpaper, but they aren’t sure what it is for. 

Source: CW

Time to hit the books, and Sam, doing what he does best, finds out who the culprit is. A Soul Eater? Thank goodness Bobby had notes on a previous encounter with the Soul Eater, but his notes say they can’t be killed only trapped. That explains how it could have been released. The house was recently bought, and the new owners disrupted the sigil in the redecorating process. Haven’t we learned that’s how most of these things start? Maybe we should stop changing up old houses until we do our research on them? Now this awful Soul Eater is free to trap souls in its nest again, and that’s exactly what it’s been doing! The nest mimics the house in which the soul eater resides, so that should hopefully make it easier to navigate.

Thank goodness for the Men of Letters and all their research, because Sam found a sigil that could actually kill this thing, and end this once and for all. No more risk of it being released. And good thing too, because this guy, as small as he is, uses the trapped souls as his own personal minions, and that’s just creepy. The only issue with the new sigil is it needs to be painted in blood, in two places. Inside the nest, and out! Dean’s very quick, “Not it,” response cracked me up, as did most of the banter in this episode. However, sadly for Dean, he lost the deciding rock, paper, scissors game and was voted to go into the nest. Which, knowing how badly Sam tends to muck things up, that is probably a good thing. Don’t get me wrong, Sam is wonderful when it comes to research, but we all know they don’t call him “Moose” for nothing.

Source: CW

But of course, once Dean gets in the nest, Bobby is also there. Apparently there is no time or space in the nest, because Bobby sees both Sam and Dean, and Dean sees him too. While Sam is busy drawing the sigil in his time, Rufus is busy doing the same in his. But the Soul Eater is no dummy, he takes over Dean and Bobby’s bodies in order to stop the sigil from being completed. Rufus is successful in fighting off the now possessed Bobby, with little struggle, as is Sam with fighting off the possessed Dean. As Sam finishes his seal, ALL of the souls trapped, regardless of time are released, including Bobby. Bobby’s gut always being on point, knows it’s not over. He tries to tell Rufus, but he insists the sigil worked, and pushed the souls out when it trapped the Soul Eater. But, we all know the truth, it was Sam and the sigil he made that saved Bobby. We would have been Bobby-less far before he died and he wouldn’t have been there to help with the apocalypse! Now that is a sad day! I for one am very happy that if we had to lose Bobby, it wasn’t to the Soul Eater. He went out like the badass that he is, and I was very happy to have him back, even if just for the episode!


Written by Kaylynn Kasandra. Awkward hippie who enjoys helping people, creating things, reading, sci-fi, fantasy, and Thor. Find more from her at kaylynnkasandra.com and
http://www.youtube.com/c/tiedyesmurf

In television, review, article Tags supernatural, sam, destiel, dean, cw, castiel, paranormal
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Agents of S.H.I.E.L.D. - "Parting Shot" - Season 3 Episode 13 Review

March 24, 2016

This week, Agents of S.H.I.E.L.D. takes a bit of a stumble after two strong episodes coming out of its mid-season break. “Parting Shot” tries to serve as a pseudo-backdoor pilot for spin-off, Marvel’s Most Wanted, but falls flat in its execution. Most Wanted’s concept relies on AoS positioning certain characters in a way that their exit from the show, and subsequent entrance into a completely new show, makes sense. Unfortunately, success in this regard is mixed. While the writers are able to provide an explanatory lead-in to Marvel’s Most Wanted, this explanation feels forced and muddled. "Parting Shot" is able to partially redeem itself with how it concludes its story-line, but it's not enough to completely make up for the convoluted taste left in our mouths.

Source: Marvel/Disney/ABC

To put it simply, this week's episode is very sloppy and confusing. The plot is fairly self-contained, and uses the season-long 'search for Inhumans' arc as a vehicle to tell a much smaller story. Paramount to the audience's understanding of this story; however, are two key one-off characters, whom are introduced so quickly that it's hard to follow what makes them so important, how this importance plays a role in the events that follow, and what these characters even look like. The narrative is split between the present and flashbacks; which doesn't significantly hinder our comprehension of events, but leaves me wondering if the climax would have been more impactful if the episode were told in a linear fashion.

I think it’s fair to say that the pressure of setting up Marvel’s Most Wanted hurt this episode in some unforeseen ways. Greenlit back in January, the Agents of S.H.I.E.L.D. spin-off shot its pilot around the same time as “Parting Shot” was filmed. From a logistical standpoint, S.H.I.E.L.D.’s show runners didn’t have the luxury to implement a logical farewell arc that could have extended into the latter parts of the season. Instead, these changes to the cast needed to be made quickly; resulting in the forced story-line this episode is faced with.

Source: Marvel/Disney/ABC

In terms of action, we are treated to a battle between our heroes and an Inhuman with a unique, though disappointingly vague power. An explanation is provided, but it's a bit out there in terms of realism, even for my tastes. The visual effects and camerawork are stunning for a network show; though, and the series' well-crafted action sequences continue to be its greatest strength. Something that might be of interest only to me is AoS's continued ‘Worf-ing’ of Mack. Make that two out of the last three episodes in which the latest Inhuman provides an initial demonstration of their powers on poor, little Alphonso Mackenzie.

When the dust settles from the fighting, the rest of the episode plays out in a way that feels all too contrived. Most shows are typically written in a goal-oriented sense. Showrunners will start with where they want their season to go, and then craft a series of narratives that will eventually get them there. The opposite, while certainly more organic in nature, is less likely to result in the high-concept, more ratings-favorable episodes that producers typically prefer to build from. Ideally, you'd like to see stories logically flow from the characters and the consequences of their actions. In the case of "Parting Shot," the writers are so desperate to get certain characters from point A to point B that the decisions these characters, and those around them make seem unrealistic and inconsistent.

Source: Marvel/Disney/ABC

And yet, despite the house of cards plot and head-scratching climax, "Parting Shot" somewhat manages to save face with its heartwarming final scene. For a show that has more than its fair share of character development problems, I'm impressed that Agents of S.H.I.E.L.D. is able to generate such a strong emotional response towards characters outside of the season one core. Maybe I underestimated my steadily growing attachment to these characters that AoS has slowly grinded out of me through one and a half seasons. Or, maybe I'm just a touchy-feely sap with an eternal soft spot for a misty eyed Jemma Simmons. Maybe it's both. (It's probably both).

Regardless, Agents of S.H.I.E.L.D. is able to capture sentiment in a way that not all shows are capable of. And, in the end, maybe that’s all that matters. As much as we tune in to S.H.I.E.L.D. for the MCU tie-ins and super-powered fight scenes, it’s our investment in the characters, and fascination with where they’ll end up, that keeps us coming back, week after week- something that ABC is surely hoping to take advantage of when Marvel’s Most Wanted debuts in the near future.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In television, review, article Tags abc, agents of shield, marvel, marvel cinematic universe, mcu, coulson
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