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The Path - Season 1 Finale - Recap and Review

May 27, 2016

I can’t believe the season finale is already here! This show has sucked me in, and got me hooked. With all the sub plots and drama surrounding this cult-like movement, I have no idea how they plan to wrap it up in this finale, but I am anxious to find out!

Source: Hulu

We begin the episode with Sarah and Eddie meeting with Richard, the guy in charge of discipline within the movement. He is trying to cox Eddie into signing forms that would declare him a denier. Something Eddie refuses. He knows if he signs the forms he will be denied access to his kids, something he will not let happen. He begs Sarah to understand, and it seems she may when she tells Richard she outranks him and he will not be signing.

In the next room Richard joins Allison, who we saw returning to the movement at the end of the last episode. She tells him about the journal Sarah gave her and its contents. She explains how it was filled with ramblings of visions, and his determination to climb the ladder. She finally believes he killed himself. His last entry explained about how he tried to climb the ladder but it left his hands bloody and raw, and next time he would be successful, even if it killed him. As someone who doesn’t believe the ladder exists, you can see how torn she is.

Source: Hulu

Sarah is still worried about Silas’ whereabouts. She calls Felicia to see when she heard from him last and is shocked by what is insinuated. Felicia all but says she thinks Cal killed Silas, as he did disappear for a night. Sarah knows the white owl she sees everyday on her walk is a sign, but she refuses to give any thought to the accusation made. Cal walks in as she is speaking to Felicia and the conversation ends abruptly. I’m just glad someone is onto Cal and what he did.

And I am not going to lie, I got some joy in seeing Sarah smash Cal’s soul when she killed his dream of them being together. She told him they need to keep it professional, which shocked him since they did share a few make out sessions recently. But what caught me off guard was Sarah questioning his whereabouts they day they voted on the Hondurans, the same night he killed Silas. Cal’s expression all but gives him away too. He stumbles through his words to find an excuse for his disappearance, never really revealing where he was. And in this moment I am hoping Sarah is starting to find truth in what Felicia said.

Source: Hulu

Eddie makes an emotional exit from his family home, leaving his daughter Summer to question whether or not he will be with them in the Garden, their Heaven. He explains all that matters is in the now, not the future. And Hawk reassures her he will there with her. Sarah breaks down as he’s leaving, knowing he will be in a hotel in town. But at least she is letting him see the kids, with or without the light. I honestly didn’t think she would.

As Eddie makes himself at home in his new hotel room, he is confronted by the snake from his previous visions in Peru. And moments later as he is scouring the room for the snake he receives a call from Agent Gaines, thanking him. While this is going on, Cal is busy back at the compound trying to impress everyone with how good of a person he can fake being. He invites everyone to be like Jesus and forgive Allison and welcome her back into the movement. And being the followers they are, they do, all but Sarah.

Speaking of Cal and his manipulations, it looks like Sean and Mary took his advice to get married. Sean invited his parents to the compound to meet his future wife, and they are not too comfortable. That is until his mother heard Cal speaking of forgiveness which sparked her to reach out to Mary. She explains how losing her daughter then having her son join the movement was painful, but she wanted to share a piece of herself and her daughter with her, and she gave her her veil to wear for her wedding. A very sweet gesture, but if only she knew how her son got hooked up with Mary, then I am not so sure she would give it to her.

Source: Hulu

Eddie shows up at the hospital where Agent Gaines, his wife, and daughter are for her surgery. When the nurse comes in and calls his wife by her real name I thought Eddie would put the pieces together he was using an alias, as did Agent Gaines. When Eddie revealed to him he was leaving the movement it was hard to say what Agent Gaines made of it. He looked shocked, relieved, and perplexed. And it only became more confusing when Eddie prayed for the baby regardless of his own beliefs, claiming, “It wouldn’t hurt.”

Source: Hulu

And does anyone else think it’s odd that Hawk is going through with taking his vows knowing his father is leaving the movement? I would think knowing he would have support for his dad he wouldn’t go that route, but I guess Sarah has more control than Eddie when it comes to the kids. And as Eddie makes his way through the streets it is more and more clear he has no idea how to act outside of the compound. Yes, he wasn’t born into the movement, but at this point he has spent more time in it than out. He dips into a toy store to escape the chaos of the streets and is confronted by another vision, this time a dead hawk with blinders on. This has got to shake him to his core considering how close he is to his son. I was shocked to see Eddie turning to Richard for advice after this vision. He tells him ever since he left Peru he has been continuing to have visions like he is on the medicine. Richard seems intrigued and encourages Eddie to find out what the light is trying to communicate with him. This sets Eddie off because he thinks Richard is trying to making it about the movement when he is convinced he’s losing his mind.

Source: Hulu

And speaking of lost minds, we find Mary confronting Cal with her feeling of guilt. She knows she isn’t right for Sean and she sees the darkness in herself, she knows Cal carries that same darkness, and she has yet to stop yearning for his attention. And in a complete jerk move they start hooking up while she is wearing the veil meant to be worn on her wedding day to Sean. Cal and Mary really are meant for each other; they are both twisted and manipulative.

Eddie shows up at his family home with a gift for his daughter Summer, something she mentioned she wanted. Unfortunately for him, Sarah’s family shows up soon after forcing him to leave, and causing Sarah to breakdown. And in a twist, when we check in with Agent Gaines it seems as though the prayer Eddie said for him the day before worked, his daughter won’t need surgery. Following this another shocking twist is revealed. Sarah decided to take Cal up on his offer to usher in a new era for the Movement with him. I guess the guy Cal had lie to her about his whereabouts the night he killed Silas helped with her suspicions. I feel like she is a sitting duck when it comes to Cal and whatever he has planned.

Source: Hulu

As Cal moves in closer to Sarah, the vision of the snake comes back to Eddie, this time it slithers into his bed and bares it teeth. This is obviously the last straw for Eddie, as he needs to know what this means, so he heads back to where the visions started, Peru. While simultaneously Sarah stands at Cal’s side at the Gathering to reveal they will performing three important ceremonies that day. The recommitment of a denier, Allison, Sean and Mary’s wedding, and Hawk taking his vows. At the end of these ceremonies Cal reveals Steve is there, but not in flesh, he has transitioned to light. The shock of this moves through the gathering, as Sarah’s mother weeps.

Source: Hulu

Meanwhile in Peru Eddie is confronted by the vision of many more dead animals in Silas’ place. Eddie moves back to the hall where he first saw the vision of a comatose Steve and the snake. When he sees the bed Steve was once in is empty, he knows he is gone. And back at the compound Sarah finds out some things for herself: Mary’s dad is at the gate looking for her and tells her about seeing Cal the night he killed Silas, he was leaving at two in the morning and according to Mary’s dad, he looked like he was fleeing from something. This reignites suspicion in Sarah and causes her to break into Cal’s office and do some snooping. And that’s right where she is when he finds her. She confronts him about writing the rungs, and I am surprised by how calm he is. He tells her about how Steve is dying of cancer and how he promised him he would keep the movement alive. She confronts him with his hidden liquor and pours two glasses, showing him she doesn’t believe his cover story any longer. And when she tells him she’s going to figure out where Silas is, and makes him toast to the truth, I like her. She’s been so easy to hate up until this point, but now that her blindfold is falling off, she is strong for all the right reasons. Now that she and Eddie both know the truth, I can’t wait for them to destroy Cal next season!


Written by Kaylynn Kasandra. Awkward hippie who enjoys helping people, creating things, reading, sci-fi, fantasy, and Thor. Find more from her at kaylynnkasandra.com and
http://www.youtube.com/c/tiedyesmurf

In television, review, article Tags hulu, the path, tv, television, streaming, cult, occult
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Supernatural - "Alpha and Omega" Season 11 Finale Review

May 27, 2016

Source: The CW

God’s spark is fading, everyone is feeling defeated and now it looks like Amara has also caused the Sun to die leaving all life on Earth to follow suit. What a way to start to the finale! But a positive in all this, Cas is back in control of his vessel! And in typical Dean fashion, he just wants a beer. I’m sure I would be reaching for booze too if I was sure the world was about to end.

And it looks like Amara isn’t the only one they need to worry about. There is a woman in London with full understanding of what is happening with the Sun, and she has “Wanted” posters plastered with The Winchesters’ faces, and she’s headed their way.

Source: The CW

Sam and Crowley seem like the only two willing to try and fight, both agreeing Amara needs to die. With God dying, killing her is the only way to maintain balance. And God finally reveals her weakness, light. Which makes sense since light drives out darkness. The only problem is he would need 10,000 suns set to supernova. And considering he is weak, I am not sure he could muster that kind of energy. But, they might be onto something. One soul is equal to 10 suns, so if they can gather enough souls, maybe they can stand a chance? Or at least I am hoping so. Crowley agrees to “raid hell” for souls, Castiel says he will ask the angels, and Sam and Dean are going to try a sanatorium filled with ghosts. There is no way this will backfire. (Note the sarcasm)

Source: The CW

Armed with a crystal and a magic word from The Book of the Damned, after little struggle, they trap the ghosts’ souls in the crystal. Little do they know, Billie the reaper was there to see it all go down. When they get back to the bunker Castiel tells them that the angels refuse to help, they know God is dying and they don’t think they stand a chance. They decide to close off Heaven and die with dignity. Crowley’s news isn’t much better, his demonic pals raided his stash of souls already. As they are coming to terms with their potential defeat, Billie walks in. She is willing to help, and as a reaper she has access to millions of souls I’m sure.

Source: The CW

When we see Amara she seems scared, perhaps regretful. She notices how everything she touches, dies. And when an elderly woman joins her and speaks of her own family troubles, you can see the wheels turning. If she’s going to change her mind, she better do it fast. Thanks to Billie they are now armed with hundreds of thousands of souls and they know just who to send in to do the job, Dean. Rowena is going to transfer the souls into Dean’s heart and make him the “soul bomb.” When he gets close, all he will need to do is touch his fingers together. The plan seems simple enough, but I am not too sure Dean will be able to follow through. We have seen countless times where he is weakened in her presence.

Source: The CW

I find it funny given that Amara is God’s sister they would think she wouldn’t sense the bomb in Dean’s chest. And sure enough, she does, all while dropping a bomb of her own. She isn’t killing the sun, it’s dying with God. And once he is gone all will cease to exist, herself included. Dean explains to Amara God didn’t want her dead, that they are family.  Amara calls on God to come to her. She explains she loves him and she knows he loves her, and that what he created was beautiful. And as they join hands, light emerges and the sun becomes stronger again. Amara heals God, leaving the rest of the crew back at the bunker to think Dean set off the bomb. Little do they know God removed the souls from him, and that the mysterious British woman is still headed their way. God tells Dean that he and Amara are going away for a while, and that Earth will be fine, that it has him and Sam to watch out for it. As God and Amara make their exit she tells Dean, “You gave me what I needed most, and I want to do the same for you.”

Source: The CW

Back at the Bunker the mystery British woman is waiting, gun in hand. She quickly sends Castiel away using a sigil before revealing her identity. Toni Bevell, London chapter of the Men of Letters. She has been sent to take him in. The Men of Letters are not big fans of all the messes created by The Winchesters with the Leviathans, The Darkness, and what not. They think they do more harm than good. I mean saving the world on several occasions is all well and good, but maybe they did play a part in the world needing to be saved in the first place. But in this moment, it’s pretty convenient that Sam thinks Dean is dead. At least only one of them will be taken in.

Source: The CW

As Dean tries to find his way back, he hears a woman’s cry and it seems like Amara kept her word. She gave him back what he has wanted the most all these years, his mom. Too bad he doesn’t know his brother has been potentially shot and taken away. Perhaps next season his mom will be helping him find Sam? Looks like we will need to wait until October when it is said to premiere! I know I am excited to see what turns next season takes. It’s going to be pretty hard to top God himself playing a role in the show.


Written by Kaylynn Kasandra. Awkward hippie who enjoys helping people, creating things, reading, sci-fi, fantasy, and Thor. Find more from her at kaylynnkasandra.com and
http://www.youtube.com/c/tiedyesmurf

In television, review, article Tags supernatural, sam, destiel, castiel, cw, crowley, chuck, tv, the cw
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Agents of Shield - "Absolution" and "Ascension" - Season 3 Finale Review

May 22, 2016

Source: ABC

Way back in March, Agents of S.H.I.E.L.D.'s midseason premiere gave us a brief flash forward scene, in which a cross necklace and the arm of someone wearing a S.H.I.E.L.D. jacket are seen floating inside of an outer space-bound Quinjet, moments before it explodes. This sequence is revisited in the episode, "Spacetime," when Daisy sees this exact scene in a vision of the future. Since then, ABC has treated us to a revolving door of “Who. Will. Die??” promos, and it’s a little disappointing that they’ve cornered AoS into such a cheap and blatant ratings grab. The narrative and emotional impact of killing off a main character partly comes from what should be the death’s inherently surprising nature. Telegraphing the end game so far in advance predictably takes away from this. Even if we don’t know who exactly is going to die, we know that someone is- and that’s just enough information to make us more concerned with figuring out who bites the dust, rather than focusing on the overall story at hand.

Source: ABC/Marvel/Disney

The finale itself is actually the last two episodes of the season aired consecutively. And, while the writers manage to avoid solely focusing on who dies (like the promos might have led us to believe), the “follow the necklace” clues they drop throughout the episode, in an attempt to misdirect viewers, are so easy to see through, it's almost comical. Regardless of who’s holding the necklace, we know there are certain characters that are off limits, and we know that there are certain characters who aren’t. The actual death is sad of course, but I wouldn't necessarily call it moving, and the impact it has on the show is limited, at best. Unless you're Game of Thrones or The Walking Dead, (and really both of these shows have recently been reluctant to give major characters the axe) it's hard to pull off a truly game-changing main character death when the unjustified, but very real, consequence of scorned viewers abandoning ship, looms. The key to giving us a compelling death is to make it as surprising as possible, within reason, and make sure it has a significant impact on future narratives. Agents of S.H.I.E.L.D. threw its element of surprise way out the window when it told us weeks in advance that someone would die in the season finale. How this death impacts the show going forward, however, remains to be seen.

Source: ABC/Marvel/Disney

This episode is fairly jam packed with action, featuring a couple of fight scenes that almost make it feel like a mini-Marvel movie. The Daisy-Ward fight alone is worth the price of admission, and is probably the show’s best hand-to-hand confrontation yet. By now though, we expect S.H.I.E.L.D. to deliver on the action. Its track record is less reliable when it comes to the performance of its main cast. Unfortunately, there isn’t anything in the season finale that necessarily bucks this trend. Chloe Bennet is just okay throughout Daisy’s emotional rollercoaster of an episode, following her liberation from Hive’s control last week. There are a few scenes, however, that are riddled with horrifyingly clichéd portrayals of self-loathing and doubt, none more than the classic, “Mack tries to hug Daisy, Daisy tries to pull away, Mack continues to try and hug her until she finally acquiesces, collapsing into him, a giant weeping mess.” Suffice it to say, I think it’s fair to peg some of these moments on the script, rather than Bennet’s performance, and I will admit, she does a good job with what she’s given. Conversely, Brett Dalton manages to take his portrayal of Hive to a whole new level, demonstrating a hard to find range while he impersonates several different people, as Hive jumps from memory to memory.

Source: ABC/Marvel/Disney

Despite the finale’s flaws, this was a very strong season for Agents of S.H.I.E.L.D., building on the consistent progress it’s made since its uneven first season. The overarching 'Secret Warriors' arc was well realized, highlighted by some amazing choreography and special effects, hitting a level of quality that's rare for a network series. Like most shows with an ensemble cast, AoS still has a hard time blending its characters together into cohesive storylines- the Hunter, May, Ward plot being one of the few exceptions this season. Instead, AoS spent most of season three jumping from individual narrative to individual narrative; although to be fair, most of these individual stories were quite good. Character development continued to lag behind for anyone outside of the season one core, with Bobbi and Hunter even getting completely written out of the show shortly after the midseason break. However, the reinvention of Grant Ward as Hive, and the FitzSimmons arc from the first half of the season helped to neutralize the lack of interesting storylines given to supporting characters. In fact, the Jemma-centric "4,722 Hours" is arguably one of the best, if not the best, episode Agents of S.H.I.E.L.D. has ever put out, and in general, there weren’t a whole lot of actual missteps this season, save for the Bobbi and Hunter farewell ep, “Parting Shot.”

Source: ABC/Marvel/Disney

The future of Agents of S.H.I.E.L.D. gets a little murky after ABC announced last week that its timeslot will change from 9 to 10 PM next season. The list of shows that have survived, what's colloquially known as ABC's "death slot," is short. As I mentioned last week, there's been a change to Marvel Entertainment's corporate structure, creating a divide between the film and television sides of Marvel Studios. It's likely that ABC sees this shake up as damaging to Agents of S.H.I.E.L.D.'s already dwindling synergy with Marvel's more profitable and successful film properties. That, combined with S.H.I.E.L.D.'s higher than average budget and tendency to hemorrhage viewers season over season, means pulling the plug might be the most financially prudent move available. It also doesn't help that ABC ultimately passed on the Bobbi-Hunter spin-off, Marvel's Most Wanted, and cancelled the critically well-received, albeit ratings starved, Agent Carter, potentially signaling the network's shift away from Marvel properties.

Source: ABC/Marvel/Disney

In my review of season two of Daredevil, I talked about how the future of television lies in streaming services, which for Marvel means redirecting its resources towards its Netflix-based Defenders shows (Daredevil, Jessica Jones, etc). While Agents of S.H.I.E.L.D. was, at one time, a tent-pole for Marvel's expansion into TV, Netflix provides an avenue for Marvel to explore its rich history of intellectual property in a more creative way, free of the ratings and ad revenue restraints that drive cable and network series. It’s possible that over the course of the last couple of seasons, S.H.I.E.L.D. became too serialized, relying on storylines spanning multiple weeks and months, potentially alienating new viewers from jumping into a show with way more backstory than they could easily catch up on. Ironically, if this is the case, AoS actually started out with a much more episodic format for most of its first season, where the storylines were more contained to single episodes, as the gang faced off against a new foe each week. This is certainly a tried and true formula for maintaining viewers, both hardcore and casual (ask any long running police procedural), but it only works when the episodic storylines are actually good and the characters are appealing, which for most of season one, they weren’t.

Source: ABC/Marvel/Disney

If this truly is the beginning of the end for Agents of S.H.I.E.L.D., it’s certainly been a good ride. In the past three years, we’ve seen the successful adaptation of the Kree-Inhumans story arc, as well as the show’s versatility in reworking its entire concept around Captain America: The Winter Soldier’s Hydra reveal, and reinventing Skye into Daisy Johnson and Ward into multiple different antagonistic roles. Regardless of all the twists and turns, S.H.I.E.L.D. has ultimately managed to stay true to its roots, telling the story of a sometimes flawed organization that always tries to aid in the greater good and make the right call, even when it’s the hard call. If anything, though, I think what Agents of S.H.I.E.L.D. should be most proud of is how it managed to craft an identify for itself, allowing it to step out of the shadow of its Avenger big brothers, and exist as a property on its own merits.


Garrett Yoshitomi is a contributor for A Play on Nerds. He covers Marvel films and television, and enjoys fantasy baseball, Big Brother live feeds, and Anna Kendrick. You can find his tweets @garrettweets

In television, review, article Tags agents of shield, AoS, abc, disney, mcu, marvel cinematic universe, marvel, coulson
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