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The Walking Dead - "Last Day On Earth" - Season 6 Episode 16 Review

April 4, 2016

Well, it’s here.  The Governor, The Hunters, The Wolves and now, The Saviors.  It’s interesting to me that all of these villains or groups seek to enforce their will on other people, and our heroes, to their detriment.  Yet the term “Ricktatorship” is lobbed around a lot when the group makes decisions.  To me, the entire point of the show is telling the stories of people who had lives before the outbreak, but were not truly free until their former lives were ripped away.  Anyone who tries to threaten that odd freedom is a villain.  Anyway, let’s see what happens.

Source: AMC

Morgan meets a horse, Miles is still after Carol, and Maggie isn’t doing so hot.  This is the most worrisome plot element to me because Judith just can’t be the only baby born in the post apocalypse.  Life HAS to go on.  Rick, Sasha, Abraham and Eugene all pile into the RV, meanwhile Carl is loading up to go with.  Enid wants to join, as her and Maggie have gotten closer during this season, but Carl is adamant that she stay.  Meanwhile, someone, not from Hilltop I don’t think, is about to find out what happens when you defy the Saviors.  As the Saviors set upon this poor bastard, Carl locks Enid in a closet to keep her from coming along.  It’s a particularly bittersweet moment because she reveals that she has feelings for Carl, but he gives her a bit of her own wisdom in response to that very important question, “what happens if you don’t come back?”

“JSS”...just survive somehow.  Haunting words given what’s coming.

Source: AMC

I thought I had a pretty good idea of who was going to meet Lucille based on the past few episodes but once Aaron talks his way into the Maggie Caravan, my heart sank.  He is definitely my favorite minor character on the show.  Father Gabriel reassures Rick that unlike what’s happened in the past, he’s ready to defend his flock, and Judith in particular.  I really enjoyed his path from a sniveling coward to a badass man of God.  Spencer mentions the possibility of negotiating with the Saviors in case they attack, which is very important.

Morgan finds a wounded Carol and it’s an enjoyable moment.  Their fates are uncertain and they both have wildly opposing philosophies on life in this ruined world, but in that moment, two friends have been reunited.  Imposed on this scene is our poor stranger getting dragged into the middle of the road by the Saviors, to be made as an example.

Source: AMC

All this before the opening credits?  Fuck, let me slow down on the beer chugging and process for a bit.  The Maggie Rescue Team is en route to Hilltop, and Rick tries to give her reassurance.  I think this scene was particularly sad, because if anyone knows about loss, it’s Maggie.  She’s lost her entire family and the prospect of losing her baby is very gut wrenching.  The RV comes across the Saviors and their poor victim and they exchange threats.  It’s hard not to shake one’s head at Rick’s bravado, knowing the nature of this show.  Winning the war is not so great when you keep losing battles.  They set out on an alternate, supposedly safer route to Hilltop.  Meanwhile Morgan tries to talk Carol into coming back to Alexandria but their fundamental differences create an impasse.  

Source: AMC

The Maggie Rescue Team encounters another group of Saviors but are oddly allowed to turn around and leave without incident.  If it hasn’t dawned on Rick that they have strength in numbers, and certainly a penchant for violence, he needs to wake the hell up.  Checking back in with Morgan and Carol, it’s made apparent that they’re hiding out in the same library that our nameless victim had mentioned.  Morgan sees firsthand the aftermath of the Saviors’ cruelty, and also finds out Carol has given him the slip.  I’m not too confident about the horse’s longevity given what happened to the last one, but Morgan mounts up and gives chase.

The Maggie Rescue Team is once again harrowed by Saviors, this time in the form of a walker roadblock and shooters in the trees.  There are some ominous signs that were seemingly left on the walkers on purpose.  One walker has one of Michonne’s dreads on her, and another has one of Daryl’s crossbow bolts lodged in his chest.  The idea of the Saviors having superior numbers hasn’t shaken Rick, but the idea of yet another love of his in danger finally gets to him.  They escape once again but one wonders how long it will be before they run out of roads.  Indeed, it’s becoming clear that the Saviors are controlling where our heroes are going with these roadblocks.  Before they get into this predicament, Abraham tells Sasha that he doesn’t want Glenn and Maggie to be the only new parents at the end of the world.  In any other episode this would have been a sweet moment between the couple, but given the stakes in the season finale, I’m worried about anyone who shows hopefulness or bravery.

Sure enough, the group comes across yet another group of Saviors and this time they have nowhere else to go.  Come on, guys, let’s get this Negan thing over with.

Source: AMC

Source: AMC

Morgan is somehow still way behind a wounded Carol, who finds herself beset on all sides by walkers (her literally tearing the scalp off of one was pretty damn remarkable, effects wise) and by Miles, who gets the upper hand and tells her how much he’s going to savor her slow death.  It comes as no satisfaction since Carol is very much ready to go, to be free of the burden of living in this world, even laughing at Miles’ attempts at being threatening.  Her attitude throws him off long enough for Morgan to arrive and intervene.  He tries to give Miles an out but in the end, Morgan finds out first hand that sometimes you don’t have a choice.  He completely blasts Miles with the gun given to him by Rick.  While trying to tend to Carol, he meets members of yet another group, the benevolent Knights.  It didn’t really occur to me that they might be incorporated into the show this season but it really is a welcome pinpoint of light in this grim episode, and it’s odd that their reveal got so little screen time or fanfare.  

Realizing they’re being relentlessly harrowed by the Saviors, the Maggie Rescue Team comes up with a play.  They take Maggie on foot while Eugene takes the RV and runs a distraction.  Both Rick and Abraham give Eugene the validation he’s been working toward since he decided he didn’t want to be a cowardly non-participant.  The bro hug between him and Abraham was indeed a great, heartwarming moment, but it just means bad things are on the horizon.  As they part ways, Eugene takes a moment to make peace with his decision, his ascension to the next level, and his rebirth as a hero.

Such a victory is not meant to last, however, because even though their plan should have worked, our heroes are once again accosted by Saviors and they have already taken Eugene as a hostage.  Personally, my favorite villain on the show will always be the Governor, but no one has ever made a more disturbing debut than Negan.  The cacophony of the whistling genuinely creeped me out.

Rick, Abraham, Sasha, Aaron, Carl and even Maggie are made to kneel and they are joined by Daryl, Michonne, Glenn and Rosita.  Pretty much, if you gave a shit about a character on this show, they’re all up on the chopping block at this point.  

Source: AMC

Negan makes his entrance and I have to say, part of my dislike for him in the comics was his appearance.  He just LOOKED like a smug asshole.  Never mind that he killed my favorite character, he just looked like a dick.  However, Jeffrey Dean Morgan’s take on Negan won me over.  He’s still a sadistic, cocky asshole but somehow...charming?  I honestly enjoyed the buildup, his pacing back and forth, his ease with violence, and how they handled a vulgar character on a show that doesn’t allow THAT much swearing.  Like I said, I will always love David Morrissey’s Governor, but this casting choice was the best idea these people have had in years.

So I really wasn’t that mad when the episode ended and someone did in fact meet Lucille but they didn’t show whom, opting for a first person perspective on the savage battering.  It was probably the most bullshit season finale I’ve ever seen on this show, or in television in general.  First, it wasn’t over nearly as quickly as it was shown in the show.  Maybe they’ll draw the scene out a bit longer in the premier of season seven, but Negan takes his time in caving in someone’s skull.  The point of the killing was to put fear in the rest of the group and to make a point, that while murder isn’t personal for him, he has no problem in making it personal.  

Source: AMC

Second, the whole reason we’re hanging on to this show is to see how the Negan storyline plays out.  To deny viewers one of two major plot points, his debut and his defeat, the former being something that has been hyped for so long is basically just trolling.  Fans have been preparing themselves for quite a while to say goodbye to someone, had steeled their nerves, and had pretty much made this finale their make or break episode.  We were ready for a huge loss, and what did we get?  Jack shit.

I predicted last week that there would be a lot of anger over this finale, and in a sense, I was right.  But right in the worst way possible.  See you next season, maybe.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, twd, television, tv, amc, horror, zombies, zombie, negan
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Agents of S.H.I.E.L.D. - "Watchdogs" - Season 3 Episode 14 Review

April 4, 2016

After last week's underwhelming episode, Agents of S.H.I.E.L.D. bounces back strong, and manages to check off a lot of items from my ever expanding AoS wish list. We get a compelling, self-contained A-plot, some not often seen character pairings, and a long awaited Mack storyline. "Watchdogs" does a good job of utilizing a smaller narrative that still remains relevant to the wider, season-long Inhumans arc. And, with Bobbi and Hunter's departure from the show last week, the cast is a little bit leaner, which means the writers can start giving increased focus to some of the other characters. This is particularly true for Mack, who gets a big bump in screen time, and plays heavily into this week’s episode.

Source: ABC/Disney/Marvel

This week’s A-plot introduces “The Watchdogs”, a radical anti-Inhumans organization that’s been gaining traction recently thanks to their growing Internet following. Mentioned briefly in the midseason premiere by Daisy, The Watchdogs quickly prove that they’re more than just a vocal Internet group by attacking an ATCU facility, which you’ll remember is still the public face of the government’s Inhuman response effort. The writers succeed in making The Watchdogs feel like a legitimate threat; a sometimes challenging task with a new group of bad guys. The wolf-like masks their members wear are frighteningly striking, and their tactical ruthlessness is well portrayed and consistent throughout the episode. All of this helps to differentiate The Watchdogs from your average Hydra goon, and while it’s possible that the Dogs eventually lose some of their bite, and veer into generic henchmen territory, their origins and motivations will remain intertwined with this season’s Inhuman arc, helping to keep them relevant for the rest of season three.

Source: ABC/Disney/Marvel

“Watchdogs” is fairly Mack-centric, and gives us a nice glimpse into the non-S.H.I.E.L.D. part of his life; a rare development that we haven’t really seen with many other characters. Specifically, we meet Mack’s younger brother, Reuben, played by Friday Night Lights alum, Gaius Charles. Unfortunately, despite this episode’s increased focus on Mack (Henry Simmons), his storyline isn’t as compelling as it could be. We do get some fun action scenes, and Mack’s chemistry with Reuben is strong enough to believably buoy their long-simmering family tension. However, to me, Mack still remains one of AoS’s least interesting characters, and not even the best line in the show’s entire run, (“I’m the guy who kills Gordon”), or a more intimate look into his family life, is enough to suddenly turn him into something more than the show’s perpetual wet blanket and Inhuman punching bag.

Source: ABC/Disney/Marvel

This episode does touch on an interesting point of contention between Mack and Daisy, though. While Daisy wants to go after members of The Watchdog’s online following, whether they were involved in the ATCU attack or not, in order to obtain information; Mack is against the idea, believing that S.H.I.E.L.D. has no right to overstep someone’s civil liberties in such a drastic way. This is the second time in the last several episodes that Daisy has had an ideological clash with a fellow team member. In the midseason premiere, she argued with Lincoln regarding the merits of a Terrigenesis vaccine, aka an Inhuman “cure.” Daisy and Mack’s debate is especially interesting given its tie-in potential to Captain America: Civil War.

Without going into too much detail, Civil War centers on the philosophical debate of whether or not superheroes operate with too much freedom, and should be regulated by some type of governing body. Those in favor of regulation believe that all superheroes should register with the government, and be subject to the same types of checks and balances that our armed forces are. Those against regulation believe in the status quo- a world where every star spangled and spandex wearing good guy is allowed to lay the smack-down on whomever he or she deems fit.

Another component to Civil War is how, after multiple national and global catastrophes, public sentiment within the MCU is quickly turning against super powered individuals. Believing that superheroes are actually just as responsible for creating some of the chaos in the world as they are for stopping it, everyday people, along with heroes like Tony Stark, see registration as a way to stop these problems before they ever start. The implications all of this could have on AoS, as well as the stance different characters could take on the issue, is clear.

Source: ABC/Disney/Marvel

Daisy would most likely take a hard stand against registration, believing that it could eventually lead to the forced outing of her fellow Inhumans. Meanwhile, characters like Mack, May, and potentially Simmons, who are all too aware of how lethal Inhumans can be, would lean pro-registration. Captain America: Civil War debuts on May 6th, so we have about a month to see how this all plays out. But, considering what we know, it’s possible that this film tie-in could be the most game-changing since Captain America: The Winter Soldier’s Hydra reveal. For right now though, I’m enjoying the rather rebellious direction they’re taking Daisy, and if her turning against her fellow S.H.I.E.L.D. agents means more badass scenes like the ones we get in this week’s episode, I’m all for it.

In my review from a couple of weeks ago, I waxed poetic on Lincoln's potential as a character, and my hope that the writers would widen his scope beyond just being a love interest for Daisy. This episode even acknowledges this dilemma; with Lincoln’s S.H.I.E.L.D. evaluation assessing that he only joined the agency for Daisy, rather than for actually believing in what S.H.I.E.L.D. stands for. Thankfully, my fears are put to rest, as this episode explores Lincoln, outside of Shake & Bake, by teaming him with Coulson. It’s always nice when we get to see two characters, who seldom interact, share some quality screen time together, and this is especially true for Lincoln and Coulson. Sparks start to fly, both literally and figuratively, when Lincoln’s cool, yet combative attitude clashes with Coulson’s authoritative and no-nonsense demeanor. I hope Lincoln is able to keep some of his strong-mindedness, and pace himself from drinking too much of the Phil Coulson Kool-aid. S.H.I.E.L.D., as an organization, has some undeniable flaws, and the show needs a character who is able to question these flaws in a convincing way.

Source: ABC/Disney/Marvel

Finally, this episode gives us another rarely seen combination of characters in May and Simmons. The two bond over the fallout from their respective midseason finale storylines, and forge ahead together with their side mission to find Lash. Even with just a few scenes, this is a pairing that I’m excited to see unfold. Ming-Na Wen and Elizabeth Henstridge are consistently two of S.H.I.E.L.D.’s strongest actors, and the dichotomy between May and Simmons’ personalities suggests that we’ll see both evolve in ways that draw from one another’s strengths.

After last week’s overly complicated storyline, it’s nice to get a straightforward, entertaining episode that’s still able to hit on multiple complex plot and character development points. With Bobbi and Hunter leaving for their spin-off, the cast feels noticeably slimmer, allowing us to more deeply examine characters like Mack and Lincoln, who had previously been on the fringes of the narrative. Overall, “Watchdogs” proves that Agents of S.H.I.E.L.D. is surprisingly at its best when its episodes flow through character-driven stories, rather than twisting them around a specifically desired outcome, and shaping the characters from there.


Covers Marvel films and television. Enjoys fantasy baseball, Big Brother live feeds, and Anna Kendrick. You can find his tweets @garrettweets

In television, review, article Tags agents of shield, AoS, abc, marvel, marvel cinematic universe, mcu, disney
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Supernatural - "Red Meat" - Season 11 Episode 17 Review

March 31, 2016

It didn’t take but a few seconds for the action to begin in this episode! Right after the recap sequence we were witness to Sam being slammed into the table, by what we can only assume is a werewolf. (Context clues people!) It seems like we are going to have another episode of classic hunting and not address the bigger issues at hand: the pending end of the world, The Darkness, and Lucifer still in control of Castiel’s vessel. That’s okay, I wasn’t looking to for answers this week anyway, I guess?

Watching this fight scene go down, I can’t help but think back on my military training. Being combat trained the way I was, I shudder when I see Sam freeze. He gave the werewolf enough time to shoot him in the gut, with great accuracy. Everything I was ever taught goes against what he did, and I again am let down by this supposed hunting machine. I mean, for someone who has killed as many monsters as he has, you’d think he would have a better reaction time? I only went through an intense 2 month combat training course and know better, and he has been doing this his whole life. But, I digress.

Source: CW

Instantly, as Dean sees his brother, with an apparent potentially fatal wound, you can see him check out. Now the real killing machine, is compromised. Things never end well when Dean is left to worry about Sam’s fate. We all know his baby brother is his Achilles’ heel. Don’t you think it’s time Dean looks into some kind of bubble for Sam? I mean this kid is always getting hurt and leaving Dean to sacrifice himself for him, no matter the cost.

It seems the werewolves had two captives, so now injured Sam, Dean, and the captives need to hike to the nearest place to find cell reception, because we know hardly anyone has landlines anymore. And now this jerk who they just saved wants to off Sam because he thinks he’s slowing them down. Not cool bearded dude, not cool. I mean, Sam gets on my nerves too, but he is kind of an asset. Trying to suffocate him so you can be free of the burden of being slowed down? Coward move. I was shocked that Dean didn’t even suspect the shadiness after he made the comment he did to him about Sam. And sick or not, the guy’s spouse could have at least told him to stop, but people do crazy things when they think their lives are at risk. I don’t buy she didn’t see it go down.

Source: CW

Dean, obviously torn, tells the now seemingly dead Sam he will be back for him, and takes off with the captives. The remaining werewolves see their escape, so this may end badly. And just when I am worried the werewolves may find them, a sheriff appears. We all know just because he is in a uniform doesn’t mean he’s safe. So I was surprised to see he was really a sheriff and not a werewolf. But, I wasn’t surprised to see Dean punch him in the face in an attempt to evade questioning and get back to Sam. But unfortunately for him, he got tased and brought to the hospital with the captives. Since he’s convinced Sam is dead, he thinks he can barter for him back. But of course, he needs to die first to be able to talk to Bobbie, the reaper he screwed over before.

Source: CW

As Dean prepares to take his last breath, we are brought back to Sam. He’s not really dead!! He was just in shock from the lack of oxygen. Thank goodness! But that doesn’t mean his gunshot wound has magically healed, so there is still that. And now the werewolves are right outside the cabin he’s in. He’s injured and barely escaped death, so how the heck is he going to fight off this massive UFC looking werewolf and his boss lady? And am I the only one who remembers Bobbie telling Dean before, no more free lives? What makes him think she will help after he screwed her over before? That charm doesn’t work on everyone! If you ask me, he would have had a better chance asking The Darkness for help.

Of course it wouldn’t be a werewolf episode without a captive turning. And in this case, it’s that jerk of a wannabe assassin. Like most transitioning werewolves, he locked himself up in the bathroom, staring at himself in the mirror. He knows something is happening, and I am sure he can piece it together, but he chooses to keep it to himself. The doctor, noticing he has been in the bathroom a long time, knocks to check up on him. Bad idea lady! Meanwhile Dean has been brought back, only after being told yet again by Bobbie, no more free lives, when he and Sam die, it’s forever. As Dean stumbles to make his exit from the hospital, Sam calls. Now Dean knows he’s alive, just like Bobbie said. Sam tries to warn Dean that one of the captives is dangerous, but that dang shoddy reception doesn’t let him, so he speeds off to the hospital.

Source: CW

Thankfully Sam gets there just as it’s really about to go down! The doctor is down, and the male captive wants to turn his spouse so they can continue to be together, forever. He is not the first to have this notion once turned. The sheriff, still at the hospital, tried to intervene, but ends up dead. Just as all hope seems lost, a shot rings out, and the newly turned werewolf drops, revealing a still, very injured Sam. The timing isn’t lost on Dean, who very sarcastically and breathlessly says, “Took you long enough!” Sam instantly collapses, but thankfully he is in the hospital now, and the threats have been contained. The male captive’s spouse is left shattered, not knowing where to go next. She is now all alone. As much as Dean feels for her, you can see his relief, he’s glad he’s not in her shoes, with a little bed rest Sam will be okay and free to keep on fighting to end The Darkness, if we ever get back to that plot. Hopefully next week?


Written by Kaylynn Kasandra. Awkward hippie who enjoys helping people, creating things, reading, sci-fi, fantasy, and Thor. Find more from her at kaylynnkasandra.com and 
http://www.youtube.com/c/tiedyesmurf

In television, review, article Tags sam, destiel, dean, supernatural, paranormal, cw
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