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All The Avengers: Endgame Predictions You Never Asked For!

March 28, 2019

By Quirky Neuron - 3/28/2019


Over the past few months, numerous fan theories, predictions, fake “leaks,” and easter egg articles have come out. Many harp on the same kind of tropes: Is Tony Stark going to die…? Captain Marvel saves everyone, wait…no… Ant-Man saves everyone… wait…, time travel – Huzzah!

However, all of these predictions seem WAY off-base.  Everyone is framing their predictions around what they believe the biggest characters will do, or what they saw in the trailers or post credit scenes.  There hasn’t been an article yet that focuses on what would give us some real clues as to what the writers would be focusing on: following the character arcs of our favorite characters from the past decade.  Seriously… the Marvel universe has been building since 2008, and you think that the writer’s are going to slap Brie Larson into a new super-suit and have her literally fly-in, nuke Thanos, and call it a day?

No!  Of course not!  A writer is going to lead you down that path and then pull the rug out from under you, and (hopefully) you’ll be left slapping your forehead saying “Oh, OF COURSE!”

We are not covering all the characters, since some have to be relegated to the benches after the snap, but we’ll hit a good chunk of them.  So without further ado: Here is a character-by-character breakdown of why, among other educated guesses, Tony Stark will live, Captain Marvel will be a non-factor, and Drax will kill Thanos.

 

IRON MAN:  Contrary to popular belief, Tony Stark’s character arc is not the Selfish Playboy to Selfless Hero story… Rather it is the journey from loving only himself and loathing his father, to loving others (namely Pepper Potts) and becoming his father.  This has been HEAVILY foreshadowed, including an overt scene in Infinity War, where Pepper and he are walking together talking about making babies and their upcoming marriage vows.  Oh, and… did anyone even see the first trailer where he is going on and on about dreaming of her as he drifts through space towards impending death?  And we think that this means he is just going to die?  This will be his kick in the pants to officially put a ring on it, take the glow stick off his chest, and actually pull back; allowing other heroes to take over in the next phase of Marvel’s series.  Case in point, the byline of Gwyneth Paltrow’s recent headline was that she would not star in another MCU movie, but she might do small cameo style roles.  They’re not bringing back a widow for a fun cameo folks.  Tony Stark will become the new shield benefactor and background Brainiac. BONUS PREDICTION: Will Pepper Potts surprise everyone by unleashing some Extremis power from Iron Man 3?

 

CAPTAIN MARVEL: So, the biggest driver of Carol Danvers’ story-line prediction is that she barely has a story-line as of yet.  As we know from the trailers (I’ll avoid any spoilers here), Carol has some trouble keeping her story straight due to a military aircraft accident of some kind.  Believers that she will be the big counter to Thanos’ power is mistaken.  Her weakness is mental, and Thanos has… the mind stone.  It is most likely that an overly-confident Captain Marvel flies in to battle Evil Barney, but is easily brushed aside or even momentarily turned against the rest of the team. Her entire presence is to throw fans off the scent and to provide a character link to the next phase of the MCU.  Alternatively, she could be a vessel for either the destruction of an infinity stone, or to wield one to change the timeline. This all relies on the Samuel L Jackson “leak,” (where he claimed Captain Marvel could time travel) being intentionally misleading.

 

CAPTAIN AMERICA: He dies.  Sorry, but there is no way Cap doesn’t sacrifice himself and pass on the mantle of Captain America to a new figure, allowing for a pseudo-reboot of this franchise, but for far less money on the studio.  He misses Peggy, his whole arc has been about self-sacrifice, we know a big name is going down, and honestly…. After seeing his mopey face in the group-therapy session from the trailers, you have to believe he would give anything to correct the course of history.

 

THE (real) HULK: Admittedly, this is one of the harder characters to read.  He has not had any real designated movies (Nope, The Incredible Hulk with Ed Norton does not count), and his recent struggles to go green caught everyone off-guard.  Best guess is that Bruce Banner, one of the most brilliant minds in the MCU, needs to prove to himself that he is good enough without the Hulk as his backstop.  Bruce went from never wanting Hulk out, to calling on his alter ego any time he was mildly alarmed, to staying the Hulk, to not being able to summon the now-lovable giant.  Bruce needs to get his own mojo back to get the Hulk to come out for one last encore.  Thus, the best money is on him becoming Bruce somewhat permanently after one final showing in a battle for the ages at the finale of Endgame (which ties into the shot from the first Infinity War trailer where he was seen in battle in Wakanda, though he never actually ended up there in the movie).  Banner will retire to an advisory role in shield, like Tony, to be next in line after Nick Fury vacates his position.

 

HAWKEYE and BLACK WIDOW: Hawkeye has turned into Ronin, following the loss of his family during the snap.  While grittier, likely Hawkeye will remain a support character.  All he’s ever wanted was his family.  Black Widow will have a similar story line, doing whatever needs to be done to make things right.  Part of her role will likely be helping Bruce Banner get his groove back… if you know what I mean… because even if Captain Marvel was handled tastefully, the studio can’t seem to stop fetishizing our leather-clad super-spy.

 

SPIDER MAN:  What do you want from this article on Spider Man? … He lives!  Otherwise he and Jake Gyllenhaal couldn’t give each other high fives this summer while hanging out in Venice.

 

BLACK PANTHER, OKOYE, and SHURI: Among the genius group, Shuri is supposedly at the top of the heap.  With Tony not back home from space yet, and with Bruce in a funk, Shuri will go from mourning to being on a mission to contribute in any way she can to the downfall of Thanos.  I believe, similar to Scott Lang, Shuri’s face among the deceased is a false lead, and that she is just in hiding…. Similar to how she hid an entire African empire from the modern world.  Okoye though, may not recover from watching the man she swore her life to protect, vanish in front of her very eyes.  Black Panther will be back. His film was too lucrative to not make sequels, but his role won’t be groundbreaking in this film.

 

THOR: While the first two Thor movies were a little aimless, Ragnarok and the team-up films of late have seemed to create a pattern for Thor.  He gets intimidated, whether it is Hela shattering Mjolnir, trying to live up to his Father’s dreams, or having Thanos kill all the Asgardians and Loki right in front of his very eyes. Then, he acts overly confident and cocksure, in a thin veil over his daddy issues – case in point, his goading of Peter Quill upon being recovered from space.  Then he “finds himself” and swings back into action as his godly-self. Well, imagine how low he’s going to feel after he sees half of all living creatures in the universe die because he didn’t go for the head.  He will play a prominent role in avenging his people, but not after a long, sulking, self-blaming story-line.  Hemsworth has expressed interest in reprising the role, so most likely they will leave Thor to rebuild Asgard following this film, but still able to return if needed.

 

NEBULA and GAMORA: One recent hint from the cast of Endgame, was when Karen Gillan (Nebula) herself said that Endgame would have us rooting for Nebula.  Nebula’s story arc has been consistent from day one.  Her father, Thanos, pitted her and Gamora against each other, breeding contempt, resentment, and violent competition.  Nebula went from murderous rage upon hearing Gamora’s name, to a sister undergoing torture at her father’s hands to protect Gamora, albeit mostly off-screen. Some have gone so far as to say that Nebula will kill Thanos, but that doesn’t complete her arc.  Her arc is only complete if she SAVES Gamora from the Soul Stone world where she is trapped.  Nebula will be embarking on a side mission to save Gamora before the infinity stones are destroyed…

 

STARLORD, GROOT, MANTIS, ROCKET: The majority of the Guardians of the Galaxy are both slated to return in future movies, and likely immobilized for the majority of this film due to the snap.  Once back in action, they will be their own typical selves, but not a major role overall in this movie.  We’re saving that action for GOTG3.

 

DRAX: Stands alone for good reason here.  While Peter Gunn may be getting a second chance, it seems to me that the outspoken Dave Bautista gave both the studios and the writers perfect incentive to write his character out in a tasteful and meaningful way.  Our overly literal brute has maintained his mission from the beginning – to kill Thanos, the puppet-master who engineered his family’s death at the hands of Ronan.  Stormbreaker, Thor’s new axe, is not bound to the same honor-code as Mjolnir. But can Drax wield it without his mind collapsing? Probably.  He’s a strong dude with sincere motivation, who does not seem like he would care if he died in order to avenge his family.  Bautista’s open criticism of Marvel/Disney was the final straw to get the comic-relief, ex-con to have an emotional goodbye where he sacrifices himself to save everyone else, reunite with his family in the afterlife, and complete his mission from day one, all wrapped up with a neat little bow.  

 

DOCTOR STRANGE: Doctor Strange, upon having the snap undone, will play a significant role in the final battle, as one of the only avengers to have ever successfully wielded an infinity stone, but he’ll be around at the end of the movie to remain a protector of earth.

 

VISION: Sorry, everyone, there are a lot of heavy losses coming in this film, and Vision will be one of them.  We can get into the “why” below, but really… are you connected enough to his character to really be upset?

 

SCARLETT WITCH: Dang… if the above is correct… Scarlet will have truly led a tragic life.  Her twin brother Quicksilver died in Age of Ultron, she doesn’t know her parents, she turns to friggin’ dust, Vision is killed first at her hand, then at the hands of Thanos, and then again when the snap is undone? What the hell!  Actually, this solves a big MCU problem: Villains who are less-developed than their respective heroes.  Forced loss of all your family and friends seems to be a pretty good vehicle to turn Scarlet Witch into a sympathetic but powerful, new big-bad. This fits in with her original comic story-line where she started bad and went good.  Maybe the MCU wanted to flip it this time.

 

ANT-MAN: The key to this theory is with Ant-Man.  No, Endgame is not going to just invent a new power from the Quantum Realm to solve the Snap.  We already have what we need: Quantum Entanglement.  In Ant Man and the Wasp, quantum entanglement allows characters to superimpose their consciousness on another.  In addition, each of the characters left alive and shown marching wearing what appears to be quantum suits has at some point had access to an Infinity Stone in their lifetimes.  Rocket (Power Stone), Captain America and Captain Marvel (Space Stone), Tony Stark and Bruce Banner (Mind Stone), Nebula (knew whereabouts of Soul Stone once Gamora confessed), and Thor (Reality). Only the Time Stone is unaccounted for, although, who knows what groundwork Dr. Strange laid while he still had it?  Rather than time travel, the group is traveling into the quantum tunnel to have an entanglement orgy.  With the help of Scott Lang, who was apparently abandoned in the quantum realm for a few years after the snap, they will superimpose their consciousnesses in the various histories of their own lives, and try to steal and hide the stones for themselves. Each attempt will fail, until it comes down to killing Vision to retrieve the mind stone.  Vision’s departure will be a difficult executive decision made by Stark, causing strife within Scarlet Witch.  Scarlet will refuse to destroy the stone too early and risk killing Vision.  At this point, as far as we know, only Captain Marvel (or surprise extremis-enabled Pepper Potts?) could have the power to destroy the mind stone.  Once destroyed, the Snap will be officially undone, enabling the final battle sequence against a still-super-powerful Thanos who has all but one stone in his possession. 

 

So what do you think of all these theories?  Have any twists on it?  We find the truth on April 26th!


In film, marvel, article Tags mcu, marvel cinematic universe, avengers, avengers: endgame, avengers endgame, endgame, thanos
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Captain America: Civil War Spoiler-Free Review: “Sometimes I Want to Punch You in Your Perfect [Movie]”

May 11, 2016

Captain America: Civil War is more than just another superhero movie. It’s more than a two-and-a-half-hour special effects smorgasbord/fanboy wet dream (although it is that too). It’s more than Captain America vs Iron Man. Captain America: Civil War is a consequence. A consequence of almost a decade’s worth of films and the events that have spanned them. For years, the Marvel Cinematic Universe has existed under the assumption that the world’s need for superheroes outweighs its need to regulate them. Our heroes arrive to save the day, only to bound off for the next adventure before the dust ever settles from the last. The world is then left to contend with the aftermath of a conflict they usually played no part in. And, as the damage to infrastructure, and more importantly, casualties, pile up, so too does the public’s impatience for the free reign that our destructive, albeit well meaning, heroes are afforded. Civil War asks, “Are the Avengers above the law?"

Source: Marvel/Disney

The seeds of this question were planted as far back as the first Avengers film when, in the aftermath of the Battle of New York, the public wondered whether the Avengers would answer for all the collateral damage they caused during their triumph over Loki and the Chitauri. In the movies since, we've seen our heroes' trust of government organizations, and of each other, challenged, as well as an exponential rise in global chaos, with each catastrophe more devastating than the last. Avengers: Age of Ultron’s Battle of Sokovia serves as the proverbial straw that breaks the camel’s back, prompting the world’s leaders to finally take a stand for increased superhero accountability, turning the Marvel Cinematic Universe on its head in the process.

Source: Marvel/Disney

Civil War is one of Marvel’s most iconic storylines; however, fans have long wondered whether a film adaptation would ever be possible. The comic book arc pits characters from every corner of the Marvel universe against each other, in an all-encompassing battle of ideologies that transcends mere kicks and punches. When Civil War was first announced back in October 2014, it was hard to overlook the MCU’s then seeming lack of heroes. At the time, outside of the six core Avengers, Civil War could really only rely on Don Cheadle’s War Machine and Anthony Mackie’s Falcon to round out its rosters. Less than two years later, however, and the ranks have been bolstered considerably. 2015's Age of Ultron introduced us to Wanda Maximoff and Vision, while Ant-Man debuted in his surprisingly successful solo film just three months later.

Source: Marvel/Disney

Source: Marvel/Disney

Even with the requisite number of good guys, Civil War faces a tough task in finding enough screen time for all of them. However, unlike Age of Ultron, which crumbled beneath the weight of its own cast, Civil War gets the most out of its characters by maximizing the utility of their scenes, and ensuring that every secondary storyline stays relevant to the film's wider plot and overall theme. Tertiary players like Hawkeye and Ant-Man really only show up about halfway through the movie, but their impact seems much greater because the few scenes they are in play so well in complementing the rest of the film. Simply put, Civil War is able to juggle an even larger cast than Age of Ultron by keeping its characters in their lanes. The film's heavy lifting is left to Steve Rogers and Tony Stark - the story very much flows through the consequences of their actions, while supporting characters support them by filling in the narrative gaps - helping to move the plot forward, rather than peeling off in their own directions. Contrast this with Age of Ultron, whose focus vacillated between Tony Stark and Hawkeye, only to become even more clouded with the tangential exploits of Thor and Bruce Banner and Black Widow.

Source: Marvel/Disney

Source: Marvel/Disney

Above all else, Civil War is a story about the characters we've grown to love during the past eight years, and the relationships between them. There's a feeling that our heroes are actual people, whose playful banter speaks to an authentic level of friendship, something that was missing from the contrived quip-fest in Age of Ultron. Civil War manages to recapture the magic of The Avengers, bringing characters together who had previously never met, and the results are just as rewarding, especially for fans who have followed this fictional universe since its inception. It also does a great job of laying the groundwork for future movies, building genuine interest for newly introduced characters by organically blending them into the film’s plot. Because Civil War builds off character development that has taken place over a dozen films, we have an immediate sense of emotional investment before the opening title card ever drops. As the film progresses, we find that its central conflict is driven, not by the typical escalation of bad guy-overpowers-good guy-overpowers-bad guy, but by a nuanced chain of events that eventually forces our protagonists to pick sides opposite the same morally grey line. After these alliances start to crumble, the fallout resonates with us in a way that a Batman -Superman slap fight never could. And, in some ways, this is exactly the kind of grounded, intimate conflict that the comic book movie genre so desperately needs.

Source: Marvel/Disney

It seems like every May the movie industry churns out yet another summer blockbuster built on the same tried and true formula that always seems to conclude with a special effects-filled final battle. And while I'm clearly a fan of said fare, the tendency for these films to favor style over substance is hard to ignore. Obviously, Civil War has its share of action-heavy scenes; however, the scale is noticeably more intimate than in its fellow summer blockbusters. Even its giant, soon to be iconic airport fight pairs its combatants off in 1-on-1 matchups that manage to provide us with surprisingly compelling micro-interactions between characters, giving us bite-sized insight into heroes both old and new. Civil War consistently hits that hard to find combination of fun and engaging action sequences that can simultaneously drive the narrative and provide relevant character development. Civil War is an example of what comic book movies can and should be: not just a collection of fight scenes set in the foreground of a narrative; but rather, a strong character-driven story that just so happens to feature superhero action.

Source: Marvel/Disney

At the time of this writing, Captain America: Civil War currently sits fifth on the all-time opening weekend list, grossing $179 million in just three days. And while this does fall about $20 million short of initial projections, Civil War has firmly entrenched itself as Marvel's finest outing to date, and arguably as the greatest comic book film of all-time. It’s not a flawless movie, but it’s pretty damn close - maybe as close as we’ll ever get within the genre. For fans of the MCU, movies, and just strong storytelling in general, I highly recommend Captain America: Civil War as a film that will likely change your opinion, for the better, on all three.


Garrett Yoshitomi is a contributor for A Play on Nerds. He covers Marvel films and television, and enjoys fantasy baseball, Big Brother live feeds, and Anna Kendrick. You can find his tweets @garrettweets

In review, marvel, film, article Tags captain america, mcu, marvel cinematic universe, comic books, comics, iron man, movies, civil war
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Everything’s Coming Up Deadpool - Deadpool Movie Review

February 19, 2016

Despite its record-breaking opening weekend, Deadpool will likely be remembered as the film that almost wasn’t. Plans for a Deadpool film actually materialized all the way back in 2000, when Artisan Entertainment announced it would bring the ‘Merc with a Mouth’ to the big screen. In the following years, however, the project found itself caught in development hell, bouncing from studio to studio and director to director, never quite finding a home that was willing to give Deadpool the push it needed to get to production.

Deadpool in Wolverine: Origins - Source: FOX

An appearance (widely considered one of the worst comic book character adaptations ever) in 2009’s global disaster, X-Men Origins: Wolverine, likely soured any interest Fox had in a Deadpool solo film. And, to make matters worse, Ryan Reynolds’ superhero stock sunk to an all-time low after the disappointing release of 2011's Green Lantern. As recently as 2014, Deadpool was considered a lost cause, with even Reynolds admitting his doubts on whether his divisive passion project would ever be made.

Deadpool Marketing. Source: FOX

But just like that, everything changed. In July 2014, test footage from director, Tim Miller’s stab at the character two years prior, leaked onto the internet, immediately going viral, and giving Fox no choice but to fast track the project. Ryan Reynolds credits this fan response as the catalyst for Deadpool finally getting the greenlight; and, just two years and one ridiculously clever marketing plan later, fans were finally greeted with the Deadpool movie they've craved for so long.

Source: FOX

Deadpool actually kicks off with a freeway scene based heavily on the leaked test footage, forgoing the traditional origin story, and instead exploring Wade Wilson's background through interspersed flashbacks. This unconventional narrative structure does a great job of immediately throwing us into the action and avoiding the possibility of a slow-to-go origin story that can sometimes plague comic book films. There were a few times when the movie jumped to and from a flashback that left me wishing the focus would stay on the narrative at hand, but overall, this didn't detract from my enjoyment all that much.

Hilarious but deceptive Deadpool marketing. Source: FOX

Additionally, by introducing the audience to Deadpool, post-mutation, fans unfamiliar with the source material are initially meeting the character when he's at his most interesting. Although, for what it's worth, the flashback scenes do a great job of painting Wade Wilson as a likeable anti-hero, and also develop his onscreen romance with Morena Baccarin's Vanessa Carlysle, in a way that does not feel forced. (Which, if you read my piece on Avengers: Age of Ultron, you'll know is a hard thing to pull off.) Ryan Reynolds reaches back into his old bag of romcom tricks, and the two actors actually demonstrate a charming bit of chemistry that helps the audience feel more invested in a love storyline that could have easily fallen by the wayside.

Baccarin does a solid job in her role, despite its fairly limited scope; and overall, the supporting cast is solid, headlined by the scene stealing TJ Miller (Weasel). There were some worries about Gina Carano (Angel Dust) and her acting chops, or lack thereof, but I'm happy to say that those worries are mitigated by the fact that she only has about five lines. Ed Skrein plays a decent villain in Ajax/Francis, but suffers from a lack of character development all too common for comic book movie villains, and does little to differentiate himself from the genre's brooding, sociopathic, sometimes British archetype.

Negasonic Teenage Warhead, Deadpool and Colossus - Source: Entertainment Weekly/FOX

Rounding out the cast are the two featured X-Men characters, Colossus and Negasonic Teenage Warhead. Negasonic is a newcomer to the X-Men film franchise, while Colossus gets a retcon (he’s Russian now!), as well as a new paint job. From a continuity perspective, these are the first two X-Men we encounter post-Days of Future Past; though, for the most part, references to the wider X-Men universe are limited, which is okay. This film needed to develop Deadpool as a viable solo character, but the shared interactions between the three mutants is just enough to whet the palate, and I’m excited to see where Fox takes these two properties in terms of future crossovers.

Deadpool fighting Ajax - Source: Entertainment Weekly/FOX

Unfortunately, and somewhat predictably, Deadpool starts to veer towards the generic with the start of the 3rd act. In typical villain fashion, Francis takes Vanessa hostage inside an abandoned junkyard, forcing a damsel in distress situation that serves no purpose, other than to raise the stakes for a movie that desperately needs them. Deadpool’s formulaic plot, while a fair satirization of the comic book movie genre, really starts to unravel when you pull just hard enough at its threads. The climatic battle is a fun ride, although nothing we haven't seen before. And, while there are moments towards the end where the humor starts to feel a bit forced, the finale keeps this in check, for the most part, and manages to maintain the focus on the action.

Deadpool stands as an underrated testament to the power of fandom. Its legacy will live on for this reason, and as one of the best R-rated comic book films of all time. Yes, the plot is rather thin, and your mileage may vary depending on how you feel about Ryan Reynolds, but there’s a high degree of difficulty associated with a film of this nature, which Deadpool manages to navigate quite nicely. It's easy to look at Deadpool as nothing more than an appeal to the lowest common denominator, an endless mill of toilet humor and violence, designed to cash in on the cheap laughs you’d associate with an R-rated film. But don't let the poop jokes fool you. Every sexual innuendo, every 90s reference, every twistedly charming one liner is a calculated step towards engaging the audience in a fictional character and reality that remains true to the 4th wall breaking, over the top nature of the source material, while still remaining accessible to the casual filmgoer. This was one of Fox’s biggest fears. How would the general public respond to such an unconventional and quite frankly strange character? The answer so far is really f*cking well.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In article, review, film, marvel Tags deadpool, marvel, marvel cinematic universe, mcu, x-men, comics, comic books, chimichangas, colossus
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