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Agents of S.H.I.E.L.D. - "Bouncing Back" - Season 3 Episode 11 Review

March 9, 2016

And, we're back! After a long hiatus, (seriously, this show hasn't been on since early December), Agents of S.H.I.E.L.D. finally returns for the second half of its third season. I have high hopes for the rest of season three. The show burned through plot, like crazy, during the first half, and it will be interesting to see how and if the writers can keep it up. It would be nice to see AoS maintain some consistent momentum throughout an entire season, something it's failed to do in its brief two and a half years of existence, but I like what I saw from the midseason premiere, and am willing to give Coulson and his crew the benefit of the doubt.

Source: ABC/Disney/Marvel

“Bouncing Back” picks up shortly after the events of the midseason finale. Coulson pays a visit to Rosalind’s house, a bloodstain still visible on the rug where she died. He’s met by William Sadler’s President Ellis, (a nice nod to Iron Man 3 and the wider Marvel Cinematic Universe) and the two agree that S.H.I.E.L.D. will continue working in the shadows to find and help newly transformed Inhumans, while the ATCU acts as the public face of the operation. Coulson spends the rest of the episode seeking out Gideon Malick, complete with a patented Phil Coulson "let the bad guy know you're coming for him" phone call. The episode briefly revisits Coulson coming to grips with the cold and brutal way in which he murdered Ward, but the narrative doesn’t dwell on this for too long, which is nice.

Source: ABC/Disney/Marvel

By far, the highlight of the episode is the ground team's (Skye, Mac, Bobbi, Hunter, and Joey) investigation of an Inhuman appearance in Colombia. This new Inhuman has a really fun power that can be challenging to pull off without coming across as too cheesy or overpowered. However, the use of special effects in its portrayal is very good, and the "scientific" explanation behind the power is amusingly satisfying as well. AoS is really rounding into form with how it handles its super powered action sequences, a somewhat recent development that it’s only had to deal with since the last third of season two. And, while I’m sure most fans were itching for the midseason premiere to jump right into Secret Warriors, "Bouncing Back" gives us a nice taste of what's to come.

The episode shares a nugget of screen time for the artist formerly known as Grant Ward. Admittedly, I wasn’t a huge fan of the writers' decision to resurrect Ward with the Hydra Inhuman (Hive). I felt like Ward's arc needed to come to a close because it was pretty clear that he was way too far from redemption, and had too much baggage to be relatable to viewers in any meaningful way. He went from being the hero to the betrayer, from the man acting out of love (for Skye) to the man losing his love (in Agent 33). That's a lot of beats for one character to hit in the span of two and a half seasons.

In a lot of ways, I thought Ward’s “death” was handled quite well. As a character defined not only by his betrayal and sociopathic tendencies, but also by his intense and unwavering devotion to his loved ones, the fact that he spent his last moments on a distant alien planet, alone, struck me as poetic. I also thought it would’ve been rather brave for the show to write off one of its original cast members in such a quick and ignominious fashion. At the time, it gave me the kind of haunting feeling you get when you watch Ned Stark die nine episodes into Game of Thrones. He was such an important character, and then all of a sudden, he wasn’t.

Source: ABC/Disney/Marvel

And yes, technically Ward is dead, but his death feels a bit cheapened when his body is up and about in this episode- catching up on some CNN, consuming large quantities of meat. Obviously, the narrative impact hits when Hive Ward comes face to face with the gang. They'll be shocked he's still alive, they'll vow to finally destroy him once and for all, blah blah blah. The problem is that we've seen this play out before. We know what it's like for Ward to be the bad guy.

It could have been a lot more interesting to see Hive introduced through a typically good character, say, if Fitz didn't realize Will was dead, and Hive Will ended up coming through the portal back to Earth. There's a very good chance that I end up wrong, and Hive Ward turns out to be the greatest thing since sliced bread. But, there's an opportunity cost that comes with continuing the use of a character versus bringing in a new one, and I prefer the originality and potential that comes with something new over a known commodity.

Source: ABC/Disney/Marvel

And of course, what would an episode of Agents of S.H.I.E.L.D. be without another addition to the "will they, won’t they" saga of Jemma Simmons and Leopold Fitz. We get one scene dedicated to these two star-crossed lovers, and while they don't officially end up together, they're also not...not together? Sigh. I’ll admit, I’ve been shipping at the altar of FitzSimmons ever since season one. But even for me, this constant back and forth is nearing Jim and Pam levels of "just get together already!"

It’s pretty clear that the writers will continue to stretch this out, though I don't necessarily think it's a bad storyline. The characters are still enjoyable, both together and apart, and I found the not-so-long ago Fitz-Simmons-Will love triangle genuinely compelling, introduced and executed all in one episode, with only two of the three characters ever actually present. But, it really felt like the conclusion of the “Rescue Will” arc should have been the logical end to all the "will they, won't they." At that point, the characters had been through so much together that it should've either brought them together or torn them apart. But, to have neither just seems really disappointing to me.

It's a shame that two of the show's most promising characters have been anchored by this one storyline for so long. Yes, we've seen a lot of growth in Fitz since season one, but it feels a bit wasted when we only get to see that growth in ways that relate back to Simmons, rather than to any of the show's wider narratives.

Overall, I enjoyed "Bouncing Back," and thought it worked well as a lead-in to the stories we'll encounter throughout the rest of the season. Not every midseason premiere needs to be as explosive as say, The Walking Dead's, and I was satisfied with the small bows this episode quickly tied on some of the midseason finale's loose ends, while also giving us just enough new information to thoughtfully chew on until next Tuesday.


Written by A Play On Nerds Contributor, Garrett Yoshitomi. You can find his tweets @garrettweets

In television, review, article Tags marvel, mcu, agents of shield, marvel cinematic universe
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The Walking Dead - "Not Tomorrow Yet" - Season 6 Episode 12 Review

March 7, 2016

This week has been a long time coming, ever since rumors of the Saviors story-line began to bubble up.  We start with my favorite character on the show, Carol, doing what she does best.  She’s baking cookies and killing walkers (to the tune of Parsonsfield’s “Weeds or Wildflowers” if you found the song catchy) and her biggest worry in the world is getting blood on her blouse.  It’s clear that she’s a light of Alexandria, handing out cookies and putting smiles on faces, and maybe even having a flirty moment with Tobin.  As usual, these idyllic scenes are interrupted as the RV returns with the rest of our heroes who are clearly a bit somber even as they say they’ve brought food.  Rick tells Sasha to gather everyone at the church for reasons unknown, but can be a little more honest when Carol asks what’s going on.

Source: AMC

“We have to fight,” Rick says.  He doesn’t sound as resolute as he did back at Hilltop.  He leaves Carol to ponder this and we see storm clouds gathering overhead.  Symbolism.  Writers use it a lot on this show.  Still, this is why Carol is my favorite.  She’s an absolute savage when she needs to be, and it doesn’t matter if she’s destroying entire encampments like an overpowered Fallout hero (Terminus) or mercy killing child psychopaths (Lizzie), she gets the job done.  But that doesn’t mean she doesn’t carry the weight of her actions with her, and as she looks down at her acorn and beet cookies, she knows her days as a zombie apocalypse homemaker are over and her days of being a ruthless killer are about to begin again.  Later Morgan finds her and attempts to talk about the fiasco during the invasion of Alexandria but she’ll have none of it.  They part ways and the episode begins, revealing as the theme song begins that Carol was standing at Sam’s grave, who she killed by merely planting the seed of fear in his mind.  Brutal.

Source: AMC

Rick gives the people of Alexandria the lowdown; they have to kill the Saviors in order to secure the prosperity of both them and Hilltop.  The only person that objects to this is of course Morgan, who much like a vegan or a crossfit enthusiast, has to share his superior perspective on life.  This doesn’t fly very well because he wants to give them a choice, and we remember what happened the last time Morgan gave someone a choice.  Later on Carol can’t sleep, and we see that she keeps a kill journal by her bed.  Clearly her actions have taken their toll on her and as she goes for a walk she meets with Tobin.  Their romantic moment gives her comfort.  She does the things she does because she’s a mother, and not just a sweet, doting mother.  She’s able to fiercely defend those she loves, which takes true strength.  To think, in the comic she was incredibly weak willed and dead by the second story arc.  Rick and Maggie have their moment, as well as Tara and Denise.

Source: AMC

Abraham finally drops the hammer on his relationship with Rosita, in probably one of the most unpoetic and insulting ways I’ve ever seen on TV.  What a jerk.  Still, not even Eugene’s awkward attempt at humor can console her.  Rick reveals his plan to the team, and though the floor plans given to them by Andy are shaky, he has a plan that involves a severed head.  The next day our war band heads out, making a pit stop to do some head hunting for a walker that resembles Gregory.  Carol decides to stay back with Maggie and Rick does his own brand of reconstructive surgery on one of the walker heads to get it to look more like Gregory.  Andy remarks that while the Saviors are scary, they’ve got nothing on Rick.  I tend to agree, because up to this point we’ve seen brutality and cruelty from people who are reveling in the lack of consequence and order in the world, but Rick has done far worse things to preserve order.

Source: AMC

Andy approaches the Savior’s compound alone to start the ruse, and after some impressive stealth work, the tactical sweep of the compound begins.  It’s not easy killing people in their sleep, but I think that if the show had taken different steps in story and pacing, and we got to see just how low down dirty these guys are, there’d be no need to show our heroes in moral conflict.  Glenn and Heath have a tough go of it, but after seeing Polaroids of people who have met Lucille (I assume, and major spoilers if you decided to Google Lucille) on the wall of one of their victims, maybe it’ll be easier for them to kill some Saviors in the future.  As Abraham and Sasha sweep a hallway, one of the Saviors gets the drop on them and even though he is thoroughly shanked he pulls an alarm, and our heroes are forced to go weapons hot.

What follows is one of the most exciting scenes this season, or any.  Even the bloodiest walker slaughter montage isn’t as gripping as the next few scenes of firefights, stabbings, door kickings, bludgeonings and overall mayhem and carnage.  Maggie and Carol have words about who goes in to help, while Jesus, Tara and Gabriel dive right in.  Glenn and Heath get chased into the armory, and unload through the door with their newfound weapons.  A little shocked at their body count, they’re rescued by Jesus.  Interestingly, Gabriel gives the last rites to a dying but still defiant Savior.  So far this episode is a grand meditation on mortality and salvation.

Source: AMC

As quickly as it begins, it’s over and with our heroes relatively unscathed.  Maybe Heath is a little shaken but overall the day is won.  Michonne isn’t quite satisfied however, wondering who among those so easily mowed down was Negan.  She gets a roundabout answer when a lone survivor tries to make his escape on a motorcycle.  They take him down but before they can interrogate him, a voice on his radio crackles.  Apparently an entirely new group of Saviors has eyes on them, and have also taken Maggie and Carol hostage.  A good rule on this show is that if it looks too easy, it probably is.

This leaves the group in a very tight spot for next week.  Not only are they within sniping range at the compound but having Maggie and Carol captive compromises Glenn in a very bad way.  There’s a lot of speculation about the next few events in the series and they’ve done a good job of confusing us with different hints here and there.  It has to end badly for someone somehow because you can’t just waltz into someone’s compound and kill them all, some in their sleep, without suffering some retribution from their buddies.  Fans of the comic already know the how, now it just remains to be seen who it will be.  There are a handful of candidates, marked by their romantic ties, others by their newly compromised humanity/philosophy.  It seems a little grim, just waiting for the inevitable slaughter of one of our heroes but that’s just the way it goes when you’re a Walking Dead fan.  Has it gotten a little cheap, creating drama from killing characters we’ve become attached to?  But then again, is that not the whole premise of the show?

Source: AMC

Other questions still remain:  If the compound was just SOME of the Saviors, how many of them are there?  And if the group is being watched, they clearly can’t recover the weapons they found, so how will they fight back with depleted ammo?  And what was Morgan welding at the end there?  I think THAT is the most interesting thing to ponder going forward.  Either way, we’re going to have to wait yet another week for Negan to make his violent debut, and I’m not sure that’s something we should be looking forward to.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In review, article, television Tags the walking dead, amc, horror, zombies
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The Walking Dead - "Knots Untie" Review - Season 6 Episode 11

February 29, 2016

I think most of us might have been glued to the Oscar festivities for one reason or another, so perhaps this episode of The Walking Dead didn’t get as much love as the previous few.  That’s okay; I’m here to tell you all you need to know because it’s as action packed as any controversial awards ceremony full of first time winners.

Source: AMC

Sasha and Abraham return from a patrol, Abraham regaling Sasha with tales of his time in the military, laying on his unique blend of “aw shucks” charm.  They’ve been on the same patrol team for a while, and if you’ll recall, survived some harrowing moments leading up to the mid-season finale.  They’ve been through a lot together, and bonded over a rocket launcher.  Plus, Abraham loves the ladies in general.  So it’s a bit tough for him when Sasha says she’s taking a new assignment and the markedly less attractive Eugene will be stepping in.  They will make quite a pair, both having the best haircuts in the apocalypse, but it’s clear that Abraham is a bit taken aback and the moment turns a little awkward.  Her goodbye “peace” sign haunts him, even with Rosita lying in bed with him.  You almost hate the guy, because Rosita isn’t exactly hard to look at either.

Source: AMC

Glenn and Maggie have a brief but metaphoric chat about tomatoes, but bigger things are afoot.  They see a commotion and rush to Rick’s house, where Jesus calmly waits for Rick and Michonne to get dressed.  I love how absolutely chill he is, even with people pointing guns at him.  This chillness comes from being an extreme badass who can defend himself, and also being someone who can clearly escape from bondage.  He explains to the group that their world is about to get bigger, and so begins the saga of Hilltop.

Source: AMC

Fans of the comic should be suspicious of this caravan of Rick, Daryl, Abraham, Maggie, Michonne, Jesus, and Glenn.  We (think) we know how this is going to turn out.  After a small conversation between Abraham and Glenn about the finer points of childbirth in a hellish world of the living dead, they spot an overturned car.  It’s Jesus’ people apparently, and tracks lead them to a building not far off.  Things are already tense, but after a quick rescue of the crash survivors and some RV trouble, the group reaches Hilltop.  Among the rescued of Jesus’ people is an obstetrician, so things are looking up for our parents-to-be.

Source: AMC

After a quick tour of Hilltop, it seems to be somewhat of a colonial throwback, with peasants outside farming and blacksmithing and the Barrington House overlooking everything.  The group meets Gregory, who quickly rubs Rick the wrong way with his insistence that the group get cleaned up before they talk business.  Gregory is kind of a dick, but let’s face it, our heroes are consistently on the brink of hygienical disaster.  Once again Abraham wants to discuss love at the end of the world, this time with Daryl.  He asks if Daryl if he’s ever thought about settling down, to which Daryl replies very poignantly:

“You think shit’s settled?”

Source: AMC

Maggie handles the first meeting with Gregory, which doesn’t go so well.  Gregory is, like I said, kind of a dick.  But Jesus convinces them to mull it over while he talks sense into his boss.  But before any mulling can begin, a man-bunned fellow named Ethan returns with a group of Hilltop people bearing bad news.  Some of their group were killed and one is still being held hostage.  Apparently a deal went south between them and the infamous Negan and the hostage will only be returned if Ethan gives Gregory a message, a knife to the gut.

A fight breaks out and we see just how savage our heroes can be.  After getting the better of Ethan, Rick stands up covered in blood and asks, “What?”  The residents of Hilltop can only look on in horror.  During the melee, Abraham takes a bit of a beating and in his near death state, has a bit of a revelation about his future.  When Daryl helps him up, we see a necklace Rosita had given Abraham broken in the grass.  A bit ham-fisted, but we can see what’s coming. 

Source: AMC

The Hilltop people are none too happy with our heroes but both sides stand down and Jesus begins to explain that things are a bit more complicated than they seem, which is the biggest damn understatement in this whole show.  I hope you guys caught Jesus’ use of words in describing their first encounter with Negan, and how the Hilltop people needed to understand “right off the bat.”  That’ll come up again, uncomfortably sooner rather than later.  Jesus explains their situation with Negan, and Daryl is quick to offer up a solution that the group agrees to pretty damn quick as well.  Maggie observes that it will cost our heroes something.  Yet she manages to negotiate with Gregory half of all of Hilltop’s goods upfront as payment for the oncoming tussle.  As the group loads up the RV, Glenn and Maggie see an ultrasound of their unborn child.

Now here’s where things get interesting, and I suggest that if you don’t want to read POSSIBLE SPOILERS, stop after this:  Rick and company leave Hilltop and the episode ends.

Source: Image Comics

At first I thought Glenn was safe from his comic book demise when I saw him with Maggie in the medical trailer.  I thought they were gonna stay behind in Hilltop.  But nope, he’s there smiling at everyone because they’re seeing the ultrasound pictures.  So it’s still a very real possibility that he gets to meet Lucille soon.  Then again, Rick did ask one of the survivors of Negan’s dissatisfaction to come with so he can brief Rick on Negan’s assets.  It’s possible that he’s going to be the one, although in the comic Heath was part of the group that went to Hilltop and he was spared, and this guy might be Heath’s analog.  And yet, the Governor beheaded Tyrese, not Hershel, so the comic isn’t the best point of reference sometimes.  Sometimes.  Hell, maybe Abraham will be the one to go, since he’s so eager to get home to tell a special someone how he really feels.

All I know is that fans have a rough road ahead as the battle for Hilltop begins.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, amc, horror, zombies
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