• A Play On Nerds Main Show
    • MuppeTrek
    • Reel Opposition
    • Sappy Crap
    • Televison
    • Film
    • Video Games
    • Miscellaneous
  • Meet the Team
  • Contact Us
Menu

A Play On Nerds

  • Podcasts
    • A Play On Nerds Main Show
    • MuppeTrek
    • Reel Opposition
    • Sappy Crap
  • Nerd Words
    • Televison
    • Film
    • Video Games
    • Miscellaneous
  • Meet the Team
  • Contact Us

Fear the Walking Dead - "Monster" - Season 2 Episode 1

April 13, 2016

The first season of Fear The Walking Dead was an undead wheeze of putrid air, which is to say I loved it.  It was great to see the outbreak as it happened, chaos surrounding our heroes on all sides, and they can only watch the world descend into madness.  It did feel a little rushed; the destruction of western civilization only took a few episodes before the back half of the season was spent in quarantine.  Still, I was able to relate to the urban setting, the claustrophobia of a densely populated city, and the urgency that was always pressing against our heroes.  Season 1 ended with the death of Elizabeth, Travis’ ex-wife and mother to his son, Chris.  It broke the serenity that was found at Strand’s house and was a heavy way to end the season.  How do our heroes fair minus one?

Source: AMC

The episode begins with the world on fire.  I may like this show as much as I do because I’ve always wanted to see LA burnt to the ground.  Whether the destruction has travelled to the coast or there is active bombing to contain the outbreak, things are blowing up and burning down left and right.  Strand, Nick, Daniel, Ofelia and Alicia take a boat out to the Abigail while Travis, Maddie and Chris wait onshore.  The dead have pushed them to the shoreline and before Nick can reach them with the boat, Travis and Maddie have to fend off some walkers.  I can forgive the fact that these people are a little green, as opposed to the killing machines we’re so used to in TWD, so a bit of clumsy fighting is expected.  What I can’t forgive is Chris being so attached to his mother’s dead body that he’d just sit there and watch his father almost gets chunks bitten out of him.  Nick arrives and they load up, Liza’s literal dead weight in tow.  Seeing a walker get his faced diced by the outboard motor was oddly satisfying.  

Source: AMC

As Abigail takes our heroes further out, they take one last look at the coast, and further beyond we see the entire megalopolis of Los Angeles is engulfed in fire.  Two jets deliver more bombs in what we know now is a futile attempt at containment.

Not even a few minutes into the episode proper and the group is faced with its first moral dilemma.  A small raft crowded with people begs for assistance and while the consensus is that they should help these souls adrift, Strand makes it very clear that mercy has gone far enough and survival is top priority.  Indeed, whether or not they like it, Strand is right.  As Alicia listens in to the radio, she hears nothing but distress calls.  The Coast Guard themselves are up shit creek.  Chaos reigns.  

Source: AMC

While Strand navigates the open ocean with a clear conscience, seemingly content with hell on earth, the rest of the group struggles with the reality that they aren’t in any position to be Samaritans of any kind.  Alicia hears someone playing music on the radio, a blessed soul who knows that at the end of it all, we’ll still be listening to David Bowie.  Over the strains of Five Years this post-apocalyptic DJ coaxes Alicia into communicating with him.  Whether he just wanted to know he wasn’t alone with Ziggy Stardust and the Spiders from Mars or has more sinister intentions remains to be seen.

Source: AMC

Chris seems to have finished mourning his mother and joins Daniel on the aft of the ship for some fishing.  Afterwards, Travis and Daniel have a moment.  I like Daniel’s character a lot.  In many ways he’s representative of the darkness in the world but also an almost heartless practicality.  But what he does, what he’s done, has always been in the service of his family.  Meanwhile Alicia and the music lover continue making nice over the radio.  

Strand is an odd fellow, but Daniel thinks there’s more to him than eccentricity and tells Maddie as much.  The two seem to make an unsaid plan to keep an eye on his actions.  It also seems that the time has come to bid a final farewell to Liza and the group attempts to have a burial at sea.  This is an opportunity for closure, to pay respects and to symbolically let go.  Being able to bury someone and say goodbye is a luxury as we’ve seen in TWD.  I try to put myself in the position of these characters before judging their actions.  What would I do if my wife/parent/friend was bitten?  How would I feel if they were killed?  How would I react?  Well, let me tell you: I certainly wouldn’t have a full blown blasphemous emo meltdown and dump my mother’s corpse into the ocean (that I spent days crying over, but no one else gets to pay respects to) before punching my dad in the goddamn mouth.  Chris, I officially crown you Most Hated Character.  You have big shoes to fill.  Remember when people wanted Carl, a literal child, to die?

Source: AMC

Alicia contacts her DJ friend, Jack, only to find he’s in a bit of trouble.  His boat is sinking.  She tries to rally support for a rescue but Strand puts his foot down.  We’re not at a point where our heroes can make decisions and act on them because as Strand so eloquently put it, “it’s my goddamn boat.”  He reminds them of their fates had he not taken them along, and when Nick goes up to explain Alicia’s good nature, the two have a great moment.  I didn’t like Nick at first but his fuck-it-all attitude grew on me, the way it did Strand.  Nick doesn’t equate his addiction with survivor’s instinct or fearlessness, to which Strand poignantly asks,

“What does fearlessness look like in this world?”

Source: AMC

Later the group seems to have one single moment of unity and community at the dinner table, before Chris makes Shithead Move #3 and jumps off the back of the boat.  Demonstrating aforementioned fearlessness, Nick dives in after him.  After it’s clear that Chris was just begging for attention, they come across walkers in the water...floaters?  They were part of an overturned boat that looked to be riddled with bullets and purposefully sunk.  After some exploring Nick finds a yacht log, which might prove to be useful in some nautical sense that I’m not aware of.  Strand gets an alert and surmises that whoever sank the other boat is still nearby.  While Chris may be the emo jackass of the series, the Asshole Champion might just be Alicia for being chatty with a potential pirate and ostensibly giving away Abigail’s position.  We are left to wait until next week to see if our heroes find themselves in a Negan-esque situation, but with gangplanks instead of baseball bats.

Since there is no comic series for the show to loosely follow, there really is no telling what’s going to happen on FTWD.  That’s part of the draw for me, but at the same time the writers aren’t beholden to the top notch storytelling of the comic.  Season 1 was engaging in my opinion but let’s see if the storytelling stays afloat (ha) in season 2.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags twd, the walking dead, fear the walking dead, amc, zombies, zombie, horror, suspense
Comment

Daredevil - Season 2 Episodes 5-8 Review

April 7, 2016

As Daredevil season two marches through the middle third of its episodes, the show starts to hit on several different thematic beats: ranging from a caper to a courtroom drama. I actually think given the diverse nature of characters within the Daredevil universe, the series could be well-served more deeply exploring motifs outside of its traditional "crime show" feel. If you've gotten this far into Daredevil, though, one thing has become abundantly clear- this show is dark. Like, really dark. And, not in a ‘too dark to watch before bed’ way, but in a ‘too dark to literally see what’s going on’ way. Obviously, given the show's shadowy nature, there’s some intentionality to this, but the lack of lighting does make it difficult to follow a lot of the show’s fight scenes, most of which take place at night.

Source: Netflix/Marvel/Disney

Daredevil made its mark last year with its gritty and realistic fight scenes, including the now famous one-take hallway fight. Well-versed choreographer, Philip Silvera, served as the stunt coordinator for both Daredevil seasons, as well as the Deadpool film, and by combining his strong sense of the source material with a decade's worth of stunt work experience, is able to construct fight scenes that are both visually thrilling and well-grounded within each characters’ personality and background. In season two, Silvera comes close to outdoing himself with episode three’s staircase fight that Charlie Cox described as, “almost like [the season one] scene on crack,” and in general, this season is filled with beautifully orchestrated choreography that makes Daredevil stand apart from even its MCU film counterparts and their more effects driven action.

Source: Netflix/Marvel/Disney

In particular, Elektra’s introduction at the end of episode four ushers in the show’s martial arts-themed villains in The Hand, a welcome break from the garden-variety gang members Daredevil and co. have been encountering so far. Unfortunately, there’s also a noticeable slowing in pace as most of episodes five and six are spent establishing the Elektra plot, shifting The Punisher into the background. The show does a good job at making this shift seem natural within the flow of the narrative; however, it’s painfully obvious that this middle third of episodes suffers from a painful lack of Jon Bernthal and The Punisher.

Source: 20th Century Fox --- Jennifer Garner in 2005's Elecktra

As excited as I was to see how Marvel would adapt The Punisher to the small screen, I was just as excited to see how they would handle Elektra. Elektra is the quintessential Daredevil character, and a popular property in her own right. Made famous by her role in Frank Miller’s iconic Daredevil run, Elektra was featured in 2003’s Daredevil, and even earned her own solo film, 2005’s spin-off, Elektra (admittedly, both of which were shamefully terrible). I was slightly underwhelmed with the way Elektra is handled through her first four episodes. Her origin and personal history with Matt differs considerably from the comics, and while this isn’t necessarily a bad thing, the background the writers do provide, specifically her ties to Roxon and interest in the Yakuza, feels a tad bit contrived.

Source: Netflix/Marvel/Disney

The show tries its best to make us feel invested in the Elektra-Matt Murdock dynamic, and in the most basic sense, they do succeed in driving our curiosity of where these characters are eventually heading. But, the show does a poor job of establishing why Matt cares so much for someone who believes that all life’s problems can be solved by tying them to a chair and beating them to death. Yes, we do get several flashback scenes demonstrating Matt and Elektra’s humble beginnings, but the two lack chemistry, and their bond forged by a mutual love for fighting and danger isn’t convincing enough for us to believe that this alone could sustain Matt’s lingering feelings towards Elektra after all these years. At the end of episode eight, we actually do get a genuinely nice, chemistry-building moment between the two, but it gets bizarrely undone just minutes later, making it difficult to predict where these characters end up by season’s end.

Source: Netflix/Marvel/Disney

The majority of The Punisher arc, and by extension Foggy and Karen’s screen time, takes place during the trial scenes. For a show whose main character is a lawyer, it’s nice to finally get some courtroom action, and The People v. Frank Castle plays out like a delightfully twisted episode of Law and Order. As Karen dives deeper into the Frank Castle case, it's clear that her motivation goes beyond clearing the name of a killer with a complicated justification for his actions. Karen's character development subtly hinges on her season one murder of James Wesley, and by proving that The Punisher is not a truly evil person, perhaps Karen can prove to herself that she too still has some good in her. Additionally, it’s made clear through an argument with Matt that Karen actually sympathizes with Frank, and believes that his extreme methods have a place in a world where the law consistently fails at delivering justice. This is one of many wedges driven to divide Kare-Devil, and the love triangle starts to lean Elektra's way, as it's made abundantly clear that Matt can relate to her in a way that he can't with Karen. Whether that's good or bad for Matt is something we'll have to wait for and see.

Source: Netflix/Marvel/Disney

After spending half the season as a narrative device responsible for disagreeing with Matt and Karen, Foggy is rewarded for his rational thought with several shining moments during the Frank Castle trial. It’s genuinely fun rooting for Foggy as he goes toe to toe with Reyes, and he remains a likeable character that provides the show with some much needed levity. Conversely, it’s at this point in the season where the audience starts to slightly turn against Matt, due to his unreliability during the trial and the effect this has on Foggy and Karen. Matt is ultimately responsible for throwing Nelson & Murdock into a trial they can’t possibly win, but then fails to follow through when he’s needed during its most important moments. The conflict this brings up between Matt and Foggy and Karen is compelling because of how much we care about them as characters; however, the fallout feels purposeless because so much of Matt’s screen time is tied up with an Elektra storyline that has little to do with the Castle case or Nelson & Murdock.

Source: Netflix/Marvel/Disney

Overall, there is an uneven feeling to the middle of season two thanks primarily to the juxtaposition of the season’s more engaging Punisher arc being minimized in favor of the less interesting Elektra arc. On an episode to episode basis, the Elektra-Matt-Hand conflict is enough to capture our interest, but it feels so separate from the rest of Hell’s Kitchen and the other characters we care about, that it’s hard to feel all that invested. Episode eight does end with a very intriguing set-up for the remainder of the season, with just enough of a cliffhanger to whet the palate for the last five episodes.


Garrett Yoshitomi is a contributor for A Play on Nerds. He covers Marvel films and television, and enjoys fantasy baseball, Big Brother live feeds, and Anna Kendrick. You can find his tweets @garrettweets

In television, review, article Tags marvel cinematic universe, marvel, mcu, netflix, disney, daredevil, elektra, punisher, kingpin
Comment

The Path - Episodes 1-3 Review

April 7, 2016

I have been sucked into this new original series on Hulu, The Path. So far only three episodes have aired, with new episodes streaming every Wednesday. And let me tell you, this show is creepy! Having interests in New Age philosophy and spirituality myself, I was blown away by the extremist “movement” portrayed in the show, Meyerism. This cult like movement is an eclectic mix of Christianity, Scientology, New Age, Shamanism, and just plain radicalism. It shows how easily seemingly peaceful ideas can be twisted into something far more dark and sinister.

Source: Hulu

The show follows a man, Eddie Lane, his wife Sarah and their family who all practice Meyerism. Sarah was born into the movement, whereas Eddie came in later in life after the suicide of his brother. We are also introduced to Cal Roberts, who is the first to grace our screens from the Meyerism movement in the first episode. He leads a disaster relief effort in New Hampshire, his first since coming back from three years away in San Diego. It doesn’t take long to pick up the tense dynamic of this trio. Sarah and Cal have some history from before Eddie came into the picture, and they still have some serious chemistry. And it doesn’t help Eddie is the acting leader for their camp, a role Cal seems to desire for himself. So that’s two things Cal sees as Eddie “taking” from him.

We learn Eddie is recently back from a trip in Peru, something referred to as 6R training within Meyerism. So far all we know about this trip from the first three episodes is that this trip changed him, it inspired questions about the real truth of Meyerism, and if there even is a “Light” as they call it. During his 6R training he was guided to have Shamanistic visions with the help of the South American psychedelic root ayahuasca. He sees his brother who he follows leading him to see, “The Guardian of the Light” founder of Meyerism, Steven Meyer, comatose in a hospital bed with a large albino python curled around him. This goes against everything he has been told by Cal; Steven is supposed to be off writing the next book for his followers, not dying. So maybe Cal is the snake? At this point it wouldn’t surprise me; he is one shady fellow!

Source: Hulu

Eddie isn’t sure who to trust, and he’s falling apart at the seams. Instead of the strong motivational leader he usually is, he crumbles in front of those newly brought in from the New Hampshire relief. Something Cal and Sarah take note of. The whole basis of their movement is to preach freedom from pain, so his emotional breakdown doesn’t look too good to the new recruits. Speaking of, Mary, a new recruit, has an eye for Cal and it doesn’t take long for her to try to seduce him. Instead, Cal preaches “The Ladder”- their version of the bible - and tells her he can see her pain. He’s very good at manipulating people and gaining their trust, so it wasn’t surprising to see him use his newfound position with Mary.

Source: Hulu

Cal sees the leadership potential in her, so he uses what he knows to gain her trust. Knowing the abusive relationship she had with father and the horrible things he did to her, he takes her to him. He asks her father to beg for her forgiveness, and beats him when he refuses. She now feels safe, and indebted to him, and we see the real beast that lies within him. This isn’t going to help with the investigation currently under way, looking to the movement. An agent had them put on a watch list, and this act of violence is proving his hunch may be right.

Source: Hulu

Meanwhile, Eddie wants answers about his vision and what the truth really is. And this quest for answers is leading his wife to think he’s having an affair with Miranda Frank, a woman who was in Peru with him. And I can see why. He is making secret phone calls and meet and greets with an unidentified person, who we know to be Alison. Alison is a former Meyerist who escaped after she claims they killed her husband. Something Eddie looks into, and sees he was a real person involved in the movement, and they claimed he committed suicide. Just like she said they would. Now Eddie is really doubting this movement he has dedicated his life to. He is raising his family in this, and he wants to make sure they are who they say they are. But the deeper he gets with Alison, the more his wife is convinced he is cheating. Now he is up against a wall and forced to do the required treatment program for “transgression” or lose his family for good after his wife followed him to meet Alison. The treatment is a 14 day in house interrogation basically. The individual is forced to undergo intense questioning while in solitary confinement. Their only source of food or drink is some kind of green juice. Which I think might be laced with something. This program is designed to basically beat someone into submission and draw them back to the movement, stronger than before. But first, they must admit their wrongdoing.

Source: Hulu

Seeing how Eddie never cheated, it’s kind of a sticky situation. In his weakest moment, he ends up giving in and gives a name. The name of the innocent woman who helped him in Peru that his wife accused. I was shocked and angry by this. I thought for sure he wouldn’t do that. He seemed like he really wanted to walk in the light of truth as they say. Now that he’s out of the program though, his wife is being extra shady and distant. I can’t help but wonder if he just gave up her name for nothing. We find out the woman, Miranda was kidnapped by the movement. So it seems this Alison women is telling the truth about the dark side of this movement. Not good seeing as she won’t admit to cheating, because like we know, it never happened. Will she die like Alison’s husband? I hope not!

Source: Hulu

And now the agent looking into the movement has come to the camp. We see him doing an interview with the man who ran the 14 day program. Is this guy going to try and infiltrate the organization from the inside? This may get messy! Speaking of coming to camp, Cal has Miranda send to the place Eddie did his 14 day treatment. He tells Sarah, and takes off to deal with personal family business with his mom. Now Sarah enraged by the idea her husband cheated sets off to confront the woman who she thinks slept with her husband. As we see her lay into Miranda, I can sense her doubt. Sarah thinks maybe her husband may have been telling the truth after all, and that he didn’t cheat and she made him do the program anyway. This seems to set her off even more, and the more Miranda protests, the more her anger builds. She leaves the room, and sinks into the wall, she knows, Miranda and her husband are right, but she can’t go against what she has been taught her whole life. It’s all she’s ever known. And the only person who can collaborate Miranda’s story, Eddie, has already been zombified by their program.

Eddie meets with Alison after his release to let her know he’s sorry, but he was wrong for his doubts. She can tell that it is the program talking, and pleads with him not to go back. And to be honest, I can feel myself pleading with him too; he is the only hope she has of getting anyone to see the truth. I can’t help but hope he sees he was on the right path helping her after all. But I didn’t have to wait long. After Eddie catches wind that Miranda is in the program and she refuses to “tell the truth about the affair” he rushes to see her. He bangs on the door, no answer. He buzzes in, and there she is, still on the ground, blood in her mouth, dead. Alison was right, Meyerism is dark and there is no light. Now we can only hope they don’t use this against him, and he can go back to helping Alison! I can’t wait for next week, things are really picking up!


Written by Kaylynn Kasandra. Awkward hippie who enjoys helping people, creating things, reading, sci-fi, fantasy, and Thor. Find more from her at kaylynnkasandra.com and
http://www.youtube.com/c/tiedyesmurf

In television, review, article Tags hulu, streaming, cult, occult, religion, the path
Comment
← Newer Posts Older Posts →

Follow us on twitter!


Google+