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Fear the Walking Dead - "Pablo & Jessica" - Season 2 Episode 11 Review

September 13, 2016

Strand and Maddie find themselves where every bartender finds themselves every night at last call, behind the bar and surrounded by mumbling assholes.  But they take a page from Nick’s survival guide and grease up to make their escape; Strand very astutely closing the door behind them.  No matter, Alicia and Ofelia are mysteriously in the wind.  But after getting their bearings and barricading themselves inside the hotel, they find Alicia again but with new friends in tow.

Source: AMC

Back at Colonia, Nick pulls some Breaking Bad type drug science to make up for his screw up with the drug dealers.  He seems to be fitting in well and making himself a vital asset to Colonia, becoming closer with Alejandro and Luciana.  One wonders if he’s found a place that he cares to stay at for an extended length of time.

Source: AMC

Back at the hotel, (and I have to say, this makes me want to play the Dead Island games something awful) Strand, Alicia, Elena and a few other guests realize that they’re sitting on a beachfront fortress with enough food to last them for months.  It becomes clear that they shouldn’t leave, even with Ofelia still unaccounted for.  Much in the same way Rick and the gang offered their services to the good people of Hilltop, Maddie and Strand offer to clear out the hotel in exchange for an invitation to stay.  Oscar is begrudgingly okay with accepting help from people associated with Elena but his former/temporary mother in law is still inconsolable.

Source: AMC

No matter… they start with room to room executions and are going to burn the bodies when Alicia gets the bright idea to round them all up Pied Piper style and make use of a pier and the riptide to send them down to Davy Jones’ Locker.  It may not have been as exciting as the retaking of Alexandria but nonetheless we are still dealing with smart, strong survivors here.  It goes off relatively painlessly and they even have a nice celebratory dinner after.  Though Strand goes through much of the episode quiet and sullen, he and Oscar have a moment as he helps Oscar move on from what should have been a happy day for him.

Source: AMC

In Colonia, Nick makes the drug delivery with Luciana but tells Alejandro about his disdain for just surviving.  It’s like eating shit, and I do believe something very similar came out of a Savior’s mouth in the last season of TWD.  But his reward is a little trailer, pretty nice for a junkie, and more insight into Luciana and the people she’s lost.

Source: AMC

It’s strange how little “zombie action” happened in this episode, and this show in general is definitely of a slower pace than TWD.  But its reward is in these moments between characters who have things in common, shared tragedies that make them human and relatable in a show about zombies.  FTWD’s strength can’t be in it being somehow more violent or edgy than TWD, so it goes a different way by telling different stories about people who have just had their lives destroyed, and still making sense of the new world.  It might not have worked at first, but I can’t wait to see what happens next for these people.  And that, as we all know, is a dangerous enthusiasm.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags the walking dead, fear the walking dead, twd, ftwd, amc, zombies, zombie, horror
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Preacher - "Call and Response" Season 1 Finale

August 9, 2016

Source: AMC

Don’t try to tell me Annville is worth saving.  Not even a sad Willie Nelson song and a montage of small town vistas will get me to believe that one.  Still, that’s how the season one finale begins.  The people of Jesse’s worthless town all believe he’s really going to call down god, despite the fact that he’s a fugitive, and so they gather accordingly.  “Sunday’s Best” is serious business.  While the whole town is looking forward to meeting god, Tulip is looking for Jesse and she finds him holed up with some peculiar new friends.  It seems as if Donnie has found that forgiveness is divine.  Meanwhile, Sheriff Root seeks some tough answers from Cassidy.  But if there’s one thing that Cassidy is good at, besides killing and doing drugs, is pointing out the hypocrisy in people.  After all, he’s seen it in action for quite a while now.

Source: AMC

When Tulip sees that Jesse doesn’t need rescuing, she points out that she has brought some unfinished business home with her and in a flashback we see exactly why it’s so important that Carlos gets it in the face, and why Jesse and Tulip are bound even through love and hate.  It’s a genuinely dark and sad moment in a show that prides itself on ironic darkness and sadness.  Getting some measured revenge is their last order of business before meeting god on Sunday.

Source: AMC

Source: AMC

When the day comes, the church is crowded with neighbors, rivals, johns, whores and even Traci Loach makes an appearance.  Betsy has a deep understanding of office equipment and shows Jesse that the heavenly phone has a video conference feature.  Face Time indeed was not invented by Steve Jobs, but by a lesser deity it seems.  After Quincannon ruins Jesse’s opening speech and no one on the other end picks up, it seems as if things are a bust until darkness befalls the church and in a blinding flash of light, and a bearded white guy appears before the congregation.  Placating at first, it’s not until Tulip gets a bit uppity with him that God agrees to answer questions.  And just like the dumbass yokels they are, they all begin shouting every stupid, unimaginative question one could waste God’s time with.  Quincannon, with his supernatural ability to talk over everyone else, asks after his family, who he last saw as several boxes of meat.  Once he hears that they’re all in Heaven, it seems as if God has done enough explaining.  But once Jesse starts questioning God’s answers, especially regarding the paradox of Eugene being in both heaven and hell, things start to unravel.

Source: AMC

And herein is the beauty of Preacher.  Jesse knew all along that god is silent, he was just hoping otherwise.  Cassidy knew that his very existence depended on an absent god.  Tulip gave up a long time ago, selecting a life of crime so she might one day get an eye for an eye.  But there the rest of the congregation was, in awe, and those of us who have seen people in church “on fire” for the lord know these giddy, zealous smiles all too well.  But then “god” starts stammering and once hit with the power of Genesis, the old white guy with a beard reveals the awful truth:  God is missing.  Cut audio, cut video, end the call.  This whole season Preacher has been piling on the absurdity and blasphemy and in its season finale, they dare to blaspheme all the way up the damned ladder.  I haven’t even thought to read the internet comments about this episode…

Source: AMC

After the air that was previously sucked out of the room returns, and the death of hope and existential disappointment sets in, people who can only maintain civility in service or fear of an unseen master do what is in their nature:  they riot.  Play them off, Emily.  Indeed, what’s worse?  That there is no god, or that there is, he just peaced the fuck out?  Either way, Jesse, Cassidy and Tulip leave the church with clear consciences.  

Source: AMC

As the town descends into madness, hopelessness, lawlessness, and a generally harshed mellow, the methane reactor below Annville goes critical.  The whole town was sitting on a literal pile of shit, and with the captain asleep at the wheel, all the exhaust pipes all over town start venting furiously.  All it takes is one little piece of burning particulate and Annville gets blown sky fuckin’ high.  Don’t worry, like I said, none of them were worth saving anyway.  But the death of Annville is the rebirth of our cowboy friend, better known as the Saint of All Killers.  Pretty badass huh?  I was hoping to see him meet Jesse but this is fine too.  The season finale was a hilarious roasting (haha) of religious dogma and how deeply ingrained it is into our collective consciousness.  

Source: AMC

Our heroes, miles away from Annville apparently, decide that they’re going to find god and make him answer some questions.  I was hoping to see more of some of Annville’s denizens, but I don’t think they can top Quincannon cradling a meat baby, so maybe we’re better off without them.

Things to watch for next season that are more worrisome than The Saint of All Killers:  Cassidy still has a thing for Tulip.

And did they really kill off Emily?  What the fuck?


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags preacher, amc
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Preacher - "Finish the Song" - Season 1 Episode 9 Review

July 28, 2016

Preacher has thus far built a world for us in which heaven and hell and all their hosts are real, so are vampires, and even the most horrifying of cruelties, the most brutal violence and coldest of ironies is made to seem commonplace, or even funny.  Nine episodes in and there’s not much you can show us that would disturb us.  So when we see things like the sheriff choking a dismembered woman to death in a bathtub full of ice, or a cowboy swinging around a pile of children’s heads in an American flag, or two friends reigniting their bro-mance by burying an elected official on top of two other dismembered bodies, we just kind of expect it and are eager to see how it plays out and furthers the story.

Source: AMC

It’s for this reason I think this is the best thing AMC has done in a long time.  We could argue about Breaking Bad or Mad Men, sure.  But what’s happening here is a success in adapting an extremely difficult graphic novel property into a wildly imaginative and weirdly compelling pseudo-drama.  Not only that, but in a world where milquetoast Marvel movies get rave reviews and billions of dollars, and people STILL can’t get Superman OR Batman quite right, Preacher is the quiet beacon of light in comic adaptation darkness.  Now that I’m done having a wank, let’s talk about episode 9.

Source: AMC

Source: AMC

It was almost not worth showing Jesse getting arrested because he escapes right when he needs to, when they’re passing through town.  On the run, he seeks to fulfill his plan to bring god himself into church on Sunday.  This is accomplished by finagling the heavenly phone away from DeBlanc and Fiore, who didn’t notice it missing until they began packing for their trip to hell.  Jesse decides to apologize to Tulip first, but she has taken a roadtrip to Albuquerque, finally working up the nerve to ice Carlos by her onesie.  Instead he finds Emily, casually setting free small rodents that Tulip had been using to nurse Cassidy back to health.  Here’s yet another moment of “meh, this is normal” that Preacher does so well.  Taking over Cassidy’s care for Tulip, Emily decides she doesn’t have the stomach for feeding helpless pets to him.  Instead, taking inspiration from a scene in Psycho, of all films, she decides to take care of her clingy nice guy “boyfriend” problem by baiting the knight in shining armor mayor into Cassidy’s room.  Having expressed my disgust for Miles in my last post, I was a bit miffed they didn’t apply some of that patented Preacher violent choreography and draw out his demise a bit further.

Source: AMC

Still, Jesse and Cassidy are reunited even though Cassidy is still a bit sore (haha) from their last encounter.  While I cannot abide by the killing and eating of pets, I do love Cassidy as a character.  He’s monstrous and he knows it.  He’s an aberration of the natural order and it’s clear he has been wrestling with self-loathing for the better part of a few centuries.  All the Irish charm, womanizing and substance abuse and world travel is just a front and an escape from spending too much time with himself.  It’s clear that he has walked the earth in search of someone to call a friend, or someone who will at least accept him where he cannot accept himself.  Jesse is a monster in a different sense, and deals with his own self-loathing in harmful ways.  They’re a perfect match, and I’m glad they patched things up fairly quickly.  The show is much better when they’re up to their violent, metaphysical shenanigans.  And it’s through their odd friendship that Jesse is able to get the final piece (haha) of the puzzle he didn’t know he needed, to operate the heavenly phone.

Source: AMC

Meanwhile, we see the end of the nameless cowboy’s tale of revenge.  Being too late to save his wife and child, he returns to Ratwater and murders every last man, woman and child, no matter how sweet their singing voice.  And through a confusing, at first, repetition of flashbacks, we see that he is in hell, and it’s pretty clever how they show that each person in hell is living in an entirely personal one.  DeBlanc and Fiore’s trip to his hell was to recruit him to retrieve Genesis, but it seems that the old cowboy only knows how to do one thing.

One more episode to go, and I can’t wait to see who between the cowboy and Jesse is the faster hand.


Written by A Play On Nerds contributor, Jerry Herrera - Lover of horror, sci fi, and fantasy in that order.  Semi-permanent Disneyland resident.  I'm at least one of the droids you're looking for. Twitter: @FrankenJerry - Instagram: @GeraldoPedro

In television, review, article Tags preacher, amc
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